SQUAWK! SPLOIT!

Catch Jim’s podcast: https://youtu.be/YK69HWATHik

or read the transcript below:

Life, actually…

 

SQUAWK! SPLOIT!

 

Squawk!

What’s that sound? I’m lying here nestled all snug in my bed, but the squawk! awakens me.

Squawk!

There it goes again. I roll over and glance about. Nothing. Maybe I’m doze-dreaming. I close my eyes and drift.

Squawk!

This time I pop alert and see the heavy wooden bedroom door swing open. Liz is entering, freshly showered and dressed, ready to face the morning just ahead of me.

“Did you say something?” she asks. She’s adjusting and donning her hearing aids and wonders whether the squawk was my voice calling out.

“Nope,” I reply. Now I see—it’s the door making the noise, begging for lubricant to magically arrive and address its unhinged pain.

Liz descends the stairs, heading for her 6:30am Zoom meeting. I can tell she’s descending the stairs because of the music they make.

Creak! Moan!

Our home was constructed in 1906, so we can hear or feel just about any movement within.

Creak! Moan!

I lie here, dreaming of oil cans. When was the last time I really saw one? It’s all WD-40 these days. Spray containers with little red straws that pop across the room, containing something oily that may not really be oil.

Thunk! Pop!

That’s the sound I remember! With an old long-spouted oil can, all I have to do is tilt and aim and press the bottom to release the oil. That’s where the sound comes from. Thunk!  as I press, Pop! as I unpress and the metal returns to its original shape.

Suddenly a concert ensues in my mind. All the long-ago magical instruments of childhood bow beneath my baton.

Clink! Jingle! The sound of belt loop metal coin dispensers worn by village bus drivers so long ago. Give a quarter, receive two dimes and a five-cent piece. Clink! Jingle! An entire fortune of nickel and copper at your fingertips.

In memory so green, I now hear the special mechanical Whirr! of a rotary dial landline phone. Try to spell THAT sound! The “Zztt” sound of  string rubbing against spinning wooden yo-yo. The echoing Crackle! of popcorn quivering in an old stovetop skillet. The Sploit! of a freshly opened can of beans being dumped into a pot. TheThunk! of a loose manhole cover as passing cars roll over it.

You can take it from here.

Join the fun as we together catalog and cherish sounds that may disappear as they are replaced by newfangled gadgets.

Being of sound mind and fragile body, I immerse myself in fond memories for another jiffy. Then, I head for the hallway to face the morn, listening once more to the Squawk! of real life, past and present

 

© 2020 A.D. by Jim Reed

Weekly Podcast: REDCLAYDIARY

 

 

 

Belt loop coin dispenser.

VENDING JOY IN THE HOPEFUL VILLAGE

Follow Jim Reed’s Red Clay Diary podcast on youtube: https://youtu.be/nJKhdi9y3YE

or read the transcript below:

LIFE, ACTUALLY

VENDING JOY IN THE HOPEFUL VILLAGE

 

“Are you still open?”

A petite customer, her even more petite daughter close behind, sticks her head into the bookstore.

“Uh, sure,” I say, each time I’m closing up and just one more shopper wishes to enter.

The customer hands me two one-dollar bills and says, “She just can’t wait to get some more eggs. Got any quarters?”

I dip into the cash drawer and count eight pieces of fake silver and hand them over.

The petites rush over to the old iron vending machine and begin feeding it a snack of coins.

The contraption is filled with plastic egg-sized eggs. Each egg is packed with tiny memories…figurines or toys or gewgaws or marbles or Cracker Jack prizes or shiny beads or you name it.

The mechanical gears turn as eggs begin popping out. The two customers sit on the shop floor till they have four eggs. They arise, open the enormous creaking door, exit while shouting goodnights. They are happy.

I proceed with the ritual of closing down the store, ready to secure it for a night’s quiet bliss.

Suddenly, the door opens a crack, the mom pokes her face in and jubilantly emotes: “We just found a five-dollar bill next to the ATM machine! Can we buy some more eggs?”

It’s like Christmas, this excitement over small fond memories encapsulated within plastic eggs.

“Yep!” I grin and begin opening the machine to retrieve five bucks worth of joy for these dreaming denizens.

I fetch a shopping bag for them, they once again leave happy and sated. They will later bring the empty eggs back for me to pack them once again with momentary thrills.

As I cruise through the shop, turning off lights, picking up wandering books, checking to see whether the universe is all in order and ready for a break from us humans, I smile to myself. I reflect.

It doesn’t take much to bring a bit of pleasure to strangers.

It just requires motivation and mood and a genuine desire to make what little difference is possible in this village of wildly varied beings

© 2020 A.D. by Jim Reed

Weekly Podcast: REDCLAYDIARY

FIELD OF DREAMS

Hear Jim Reed’s Red Clay diary podcast on youtube:  https://youtu.be/dScUzM5qHu8

or read his transcript below:

LIFE, ACTUALLY

FIELD OF DREAMS

 

Across the street from our house, when I was a small boy, there was an enormous vacant lot.

On the lot sprang up golden grass, as high as the waist of a small boy. The soft grass was thick, so that if you lay down, no-one could see you from the road or from the houses across the street.

It was a wonderful playground, a battlefield, a guerilla warfare heaven. We boys and girls of the neighborhood could spend hours crawling on our bellies, hidden from the world and often from each other.

Somewhere along the way, we got the idea that battlegrounds such as ours should look like those battlefields in John Wayne and James Whitmore war movies, complete with foxholes and two-way communications. So we dug holes here and there, and staffed our outposts with the equipment of childhood.

One main foxhole, the headquarters, even had a makeshift roof. But only imaginary rains could stay away from us while we hid and met and planned there. Between the foxholes across the golden field we laid old remnants of hosepipes. Through these, we communicated in muffled faraway tones translatable only to us.

We were the Tab Nam Club (no parent could ever have guessed that Tab Nam spelled backwards was Bat Man, defender of good and fighter of evil men and wicked but sexy women), and we had leaders and followers.

Since I was the oldest boy, I was the pretend leader, and because my younger brother Ronny was the youngest kid in the group, he was usually the bad guy. He would always have to get killed first, or go to jail first or be punished first, just because he was too small to defend himself and because he wanted to be part of the group too much to mind the abuse.

When my tomboy sister, Barbara, came out to play with us, she was the leader and I was relegated to invisible follower. She was tougher and older than us, and no-one dared challenge her authority in the field.

Because I was no longer the leader at these times, I could only choose to be a rebel and a loner. That was more heroic to me than being a follower. Once you’ve tasted leadership, there is nothing satisfying about following and being ordered about.

There were various objects strewn across the field, and I’ll never forget them.

One particularly fascinating one was a Z-shaped iron bar about eight inches long. A number of them were used to terrorize the enemy. Two could be put together to form a swastika, the ultimate symbol of badness in those late-1940′s days. The bad guys had to carry these. Or, the Z’s could be thrown dangerously close to the enemy foxhole to keep them in their place.

There were long flexible sticks that became deadly bows for our even more deadly and unreliable homemade arrows. There were trees to climb and fall from, and we frequently did both. There were small pebbles to use in case of attack. And there were the wonderful long golden weeds.

The weeds could be hidden behind, carefully parted to spy on the enemy or the parents (somewhat interchangeable roles), pulled and gnawed on like the cowboys did in Saturday matinees, used as pitchforks, switches, wands, and the like. Very few real toys made it across the street into our field. There was no room for reality there.

Toys were left inside the home and on the front yard, symbols of parents’ desire to give us something joyful to play with, something they didn’t have when they were kids. But our toys were: the field itself and its natural components.

One day, the field disappeared.

We learned that a house was going to be built on our battleground. In place of our military movements a wooden skeleton emerged and our troops retreated across the street into their front yards, and our world got smaller.

The backyard became our field. But the backyard was different. Short grass took the place of golden grain. No foxholes could be dug except to plant Mother’s bushes and flowers. Our dogs could no longer bury their bones in wide open spaces and had to resort to corners of the yard where grass was higher or where people seldom stood.

But the backyard had some advantages the field did not. Advantages, that is, for Mother. She could keep her eye on us better, and we couldn’t hide because the back windows were high up. The only hiding places we had were behind a few bushes and under the house. Under the house was forbidden to us, so we went there a lot, crawling through spider webs and getting smelly with dust, cut with rusted nails, and generally excited by our newfound hiding place.

But ever so often, we would play in the front yard and start across the street at a crisis point in our games, only to look up at the completed house and be reminded that our field was forever gone.

Developers had not asked us kids permission to take away our childhood fields. They hadn’t thought to inquire.

But many decades later, when I am re-visiting home sitting in the swing of my parents’ front porch, I look across the street at what was once the Livingston family’s home and the Crutchfields’ home and see what was once there: a wide, long field salted with little human critters and one overgrown tomboy laughing and getting dirty and rolling in redbugs and passing secret messages to one another in the hosepipe trenches.

And I imagine one retired developer sitting in his Woodland Hills air-conditioned home and living off the interest generated by selling little kids’ hearts to families who had every right to want a piece of land, but who had no right at all to take over our particular golden-grained field of dreamy dreams

 © 2020 A.D. by Jim Reed

 

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 Weekly Podcast: REDCLAYDIARY

 

 

TILL WE HAVE FACES

Catch Jim Reed’s Red Clay diary podcast on youtube: https://youtu.be/6vlZ_enbvek

or read his transcript:

LIFE, ACTUALLY

TILL WE HAVE FACES

The smelly old Ritz movie theatre in the heart of 1940s-50s downtown Tuscaloosa is where I get my first glimpse of play-like robbers and bandits and desperados and thieves.

On the big black-and-white screen, bad guys and gals seem to need only one item to turn themselves into lawless—thus, very exciting—bandidos and gangsters.

That one required item is a bandanna. 

I’m way back in time right now. Bear with me.

My childhood pals are sitting here with me, engrossed with the action in front of us. Lots of stylized punching and wrestling and shoot-em-up chaos is choreographed for our pleasure. The greasy popcorn and shared soft drink last a long time, because we want the last gulp, the final crunch, to occur when THE END pops up, when the hero and his best buddy the horse ride off into the sunset, their mission accomplished.

Funny thing about bandannas. I always wonder why some dude covers his nose and mouth, then suddenly becomes unidentifiable to everybody on the range. He’s wearing the same prairie-fragrant clothes, waving the exact six-shooter holstered until just moments ago. His voice is the same, his lope unchanged.

I decide that it’s just a movie. This bandanna-disguise would not work anywhere but in Hollywood. Imagine me, running into the family home, hiding my face with a trusty bandanna, then grabbing a handful of candy and rushing out, knowing that nobody will realize it’s just Jimbo.

“Why, we ought to call the police,” sister Barbara would say. “Somebody just stole our candy.”

“Uh, who was it?” I will say.

“I have no idea. He was your size, wearing the same cowboy outfit as you. But half of his face was covered by a mask, so there’s no way we can tell his true identity.”

Of course, this scenario will never work. It’s only Jimbo, masking up for action like actors on a projection screen.

Where does this fond memory come from? What makes me suddenly recall childhood in the middle of the day in the middle of my old bookstore, in the middle of exchanging books for cash?

Why, my customer is wearing a bandanna. I am wearing a bandanna. Just like those range riders at the Ritz Theatre.

We are suddenly characters from childhood, breathing into cotton face covers and trying to understand our mutual muffled mutterings. I smile extra big, hoping my crinkled skin will help the purchaser know that I am being polite. I speak as clearly as possible to overcome smothered words.

And you know something? There are regular patrons I do not recognize. They don’t look the same when masked.

So, I guess I might actually have gotten away with candy theft back in the day. Or not. You can’t get away with anything when an older sister knows everything about you and your behavior.

Maybe I owe my life of clean living and no crime to my big sister.

There’s always the chance that a bandanna just won’t do the trick. I’d definitely be the only member of the Tuscaloosa Marauder Gang to get caught.

Just my luck  

 © 2020 A.D. by Jim Reed

WEBSITE

 Weekly Podcast: REDCLAYDIARY