WRITER’S BLOCK SNOW GLOBE

Listen to Jim’s podcast: http://redclaydiary.com/mp3/writersblocksnowglobe.mp3

or read his story below:

WRITER’S BLOCK SNOW GLOBE

Writers, authors, tellers of stories, poets, purveyors of enhanced realities, composers of  realistic mythologies…we all have one thing in common. The prospect of coming down with something called Writer’s Block.

Some of us could use a dose of Writer’s Block. These folks suffer from Multisyllabic Reflux, the inability to hush up and pay attention to the silences and pauses between thoughts.  They just can’t stop themselves from unedited wordflow.

Others freeze up when it comes time to utter or compose or write or in some way begin a story. They await a miracle or an inspiration or a Voice.

In my own case, I do not have Writer’s Block. My stories never seem to end, always appear to be waiting to pounce onto the keyboard or sheet of paper. Because of this, I have to be careful which tales are ready to be shared, which need to age first, which would be interesting to anybody outside of Me. And that, I do not always know.

So I suppose that editing and vetting become most useful skills. The story is there, now I just have to shape and guide it into the appropriate format.

I’m at the checkout counter in a Dollar General Store in a nearby rural county. I ask, “Could you direct me to the Kleenex?” The nicely-dressed elderly clerk replies, “Peanuts in the can?”

“Uh, no…”  I begin.

“Oh, you want them in the bags?”

“Er, I don’t think they come in bags.” Now I realize she may have a hearing problem. How to communicate?

“Kleenex, you know, like, tissue (I point to my nose).

“Oh, yeah,” she realizes what I want. “Well, I don’t know…” She looks over at the tall booth where an employee is bent down to her paperwork, oblivious of all store activity but listening intently to any words floating in the air.

“Dorothy, do you know?”  Dorothy just shrugs and continues looking down at whatever she’s doing in the manager’s high castle.

I smile and motion to the clerk not to worry, then wander off to find some aisle that looks like Kleenexville. I eventually stumble upon facial tissues and fail to find them in either bag or can.

I take my box to the lady at the counter and find that she knows how to make change backwards and aloud, the way they used to make change way back when. I bask in this experience because it reminds me that my mother also knew how to make change from her clerking days at F.W. Woolworth and R.L. McGee General Merchandise.

I tote my flimsy white plastic bag to the exit door, wishing the clerk a happy day and a good life. She doesn’t catch the last part, but I carry her smile with me.

And that’s my little story. There, that wasn’t so bad, was it?

By now you may be grumbling, “Well, he may not have Writer’s Block, but I do, and this anecdote doesn’t help me at all.”

May I say this about that?

All I did in telling my story was shake the Writer’s Block Snow Globe a bit. Whenever things settle down and verge on stagnation, I pick up the globe, shake it, watch how its contents flutter and swirl and settle down into entirely new configurations. Then, like reading tea leaves, I gaze intensely and imagine what’s under those flakes, what secrets are awaiting revelation, what joys and horrors are ready to spring.

And out comes a story. I don’t have to make anything up. Life is brimful of so many lost moments that I can merely reach my hand into the miasma and come up with a gem not of my own making. As a writer, all I have to do is pass this gem on to anybody who cares to read these words.

Too simple, too easy, you say.

Well, it only took me several decades to discover this secret, so it may take you a while, too. Once you establish the rhythm of the snow globe routine, you might have an aha! moment. Or not. But in your search for the right ritual you could stumble upon your own method.

At least I caused you to consider it

© 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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WHAT’S BETTER THAN INHALING BEHIND AN IDLING BUS?

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http://redclaydiary.com/mp3/idlingbus.mp3

or read his story below:

WHAT’S BETTER THAN INHALING BEHIND AN IDLING BUS?

She is standing before an old stained-glass church that houses the honors program at a local university. She is working on her tobaccolaureate degree.

Alone, she puffs away, gazing wistfully at the branches of a big tree, who knows what,  going through her mind.

If you take time to look, you’ll see other nicotined scholars, only they seem more isolated than they were prior to the advent of palmed phones.

Back then, puffers were the last sociable people on earth. They stood in groups before buildings high and low, chatting and sharing and signifying and learning more about each other than they’d ever learn inside their cocooned work places, where they stared at  screens or dozed spasmodically or filed nails or filed files.

Outside, in the particulated air, they grew to know little things about the people they seldom spoke with once inside the buildings.

Then, the pod people devices came along, so that now, even though puffers still stand outside, many only talk into the ether to people whose bodies are not present, ignoring fellow solitudes who stand just inches away, talking into their armpits as if their conversations deal with life-threatening issues. Or they speak silently with pecking thumbs.

Me? What do I inhale each day that is half better than what these folks inhale?

Well, here at the shop, the fragrances embedded within old books and newspapers and magazines and ink blotters and documents and brochures and maps are fragrances unlike any you’ll ever experience elsewhere. They blend with the inherent fragrances of old high-rag-content paper, old highly acidic paper, to be fermented and reborn as new and more mysterious fragrances.
To gain the attention of an old bookie like me,  just dab some of that fragrance behind your earlobe and pass by. “There’s something about that customer,” I’ll say to myself.
So, the book addict is standing inside the 1890′s building that houses the last and final old rare bookstore in the region. He is working on his bookalaureate degree.

Alone, he inhales the gossamer essences, gazing wistfully at centuries of tomes stacked about him, who knows what, going through his mind

 © 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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THE ART OF FLOOR-TO-CEILING IMAGINEERING

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http://redclaydiary.com/mp3/theartoffloortoceilingimagineering.mp3

or read his story below:

THE ART OF FLOOR-TO-CEILING IMAGINEERING 

Jimmy Three is lying flat on his back in the living room of his family home. He is staring at the hard-plaster ceiling and contemplating the cracks that zigzag here and there, going nowhere in particular. Jimmy Three is just a kid, back here in the 1950′s when this scene is taking place.

Alone in the asbestos-shingled bungalow he shares with two parents, two sisters, two brothers, he is enjoying the silence of the moment and doing what he does best: ruminating and cogitating and fantasizing and thinking real hard.

Right now, Jimmy Three is wondering where his inspirations are buried. Over the years, he has hidden things so that he or somebody might find these things and gleefully re-experience them someday. For instance, there is a note squirreled away between the insulation  and roofing in the back of the house, and he can no longer get to the note. He has no idea what this message to himself says, because it has been so long since he hid it there during construction of the room.

In the back yard is another secreted treasure–a small box with important but now forgotten objects that he wants to dig up. However, he is unable to locate the spot because the secret map to this burial site is also missing.

Jimmy Three blinks and stares harder at the ceiling, massaging ideas and poems and stories in his head but not yet being brave enough to set them down on paper. These compositions will float and flourish for decades until the day comes when he will regurgitate them in the form of columns and books and blasts and blogs and podcasts. Some will remain hidden. Some will inspire others. Some will simply exist.

Finally, life intervenes and motivates Jimmy Three to arise from the floor, dust himself off, grab a snack, pocket a pad of writing paper and a pencil, and leave the house before any family members return. They might not understand the significance of his lying afloor and appearing to be doing not a thing in the world.

Another hidden note: Jimmy Three knows that these few minutes have been busy and activity-filled and reanimating for him. He knows, too, that those in the family who are not imagineers will think him idle.

But he also is aware that there are fellow dreamers among them who will someday blossom and expose their hidden treasures to appreciators, too.

Appreciators who will have not a clue as to how much floor-time goes into molding a work of art into something visible or audible

 © 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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RELATIVE RELATIVITY

Listen to Jim’s podcast:

http://redclaydiary.com/mp3/relatiiverelativity.mp3

or read his story below:

RELATIVE RELATIVITY

 DEAR DIARY:

Einstein was right. Everything is relative.

What Einstein failed to go on to say is: Relativity is EVERYTHING. In fact, relativity is EVERYBODY.

We are all related in some manner, a fact at once beguiling and frustrating, at times horrifying to think (did I really come from the same evolutionary roots as that third-world dictator and that European princess?), and at times provocative (I may share wellsprings with Einstein himself or Nelson Mandela, or even Charlie Chaplin).

If we are all kin, most of us don’t like to admit it except when it’s convenient.

Sometimes, the same folks who go on and on about how they’ve traced their roots all the way back to King Henry or the Vikings, are the same folks who don’t like to talk about the fact that if they go far enough back before that, they are also kin to Kunta Kinte, Adolf Hitler, Moses, Rube Goldberg, Henny Youngman and Eleanor Roosevelt.

Within the bowels, we share common ancestry–and you have to believe that, whether you’re an evolutionist or a religionist.

So, if we’re all in the same family, why do we treat cousins and sisters and offspring different from neighbors, foreigners and aliens? Why is our own blood so much more palatable than a stranger’s? Why are my lawn weeds nicer than your lawn weeds?

It’s not only a small world, it’s a world interwoven with genes and bloodlines and ancestries. Unfortunately, it’s also a world of many fences and few gates, a world of barely-suppressed hostility that can become offensive at any given moment, a world of more should-have’s than can-do’s, a world where the meek, though blessed, are often oppressed simply because they do not place aggression at the top of their priority lists.

Where is the good in the world, then, you ask?

Well, it’s like everything else in the universe–the good is there, you simply have to fade the bad stuff out for a while so you can notice it.

An audience laughing at the same humor is sharing a commonality that transcends the petty differences of the moment.

An old man stopping to pat a small child on the head is making a quantum leap in time and without knowing it, is by the same act, massaging the cosmos with a bit of kindness.

A firefighter who suddenly and without thinking risks life and limb to save the life of someone who in normal situations wouldn’t seem worth the extension of a cordial greeting…that firefighter is unconsciously affirming the fragile but extensive thread of hope that cobwebs the world and makes itself available at the strangest times.

It’s out there. You have to either take time to notice it, or act quickly when the kindness urge strikes, so that you won’t have time to figure out why you should not be doing something so wimpy as generating an unconditional act of sweetness

 © 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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                       (adapted from the book Dad’s Tweed Coat, Small Wisdoms Hidden Comforts Unexpected Joys by Jim Reed)