THE KING OF QUEEN CITY TAKES THE BUS

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THE KING OF QUEEN CITY TAKES THE BUS
I’m running lickety-split through a tunnel while being sprayed on all sides with jets of stinging water.
*
The involuntary and mandatory shower is one way the managers of Queen City Swimming Pool in Tuscaloosa have of making sure I wash before entering the large, chlorine-reeking body of water.
*
In the 1940’s and ’50′s, the pool is open to all us white kids, just as most public facilities are. I never see black kids at the pool, so I suppose they aren’t allowed in. But at least the Queen City Swimming Pool is diverse in other ways. Poor kids and rich kids, backwoods kids and city kids, boys and girls, bullies and nerds, handicapped and fit, can all get into the supervised green lagoon and splash about as much as they please. As long as they follow the rules.
*
I’m very young, now, in this flashback to childhood, and this is SOMETHING TO DO–get soaked, sniff chlorine, attain a sunburn, play with friends and family, and maybe grab a snack afterward. When I get older, it will be a way to meet girls, even if I can’t bring myself to talk with them. I can at least gape. Funny how no girl I ever meet at a swimming pool or swimming hole or at the beach ever looks the same, fully clothed, as she does in a bathing suit. In fact, I can barely recognize these girls with their clothes on–guess it goes to show I’m not always concentrating exclusively on their faces.
*
I don’t know how to swim–in fact, nobody in my family can swim. Guess it is because our visits to bodies of water like this are infrequent and we can’t afford to attend summer camp or employ swimming instructors.
*
But swimming isn’t the point, anyhow.
*
Splashing and jumping and holding my breath for as long as possible and inhaling tart water through my nose and nearly strangling and showing off and watching other kids and fending off bigger kids and helping little kids stay afloat–that is what’s important. Getting all shriveled up and tired is the point. Having BEEN SOMEWHERE AND DONE SOMETHING is the point.
*
Later, wet-haired and clutching a bag of soggy towel and damp bathing suit, I ride home on the public bus. Catching the bus is another adventure. Back in these Tuscaloosa days, everybody rides the bus. Most of us don’t live in families who can afford more than one car–or even one car–so the bus is part of daily living. Buses do allow black children to ride–they are not excluded like they are at Queen City. But, of course, the black kids have to ride in the back of the bus and the white kids have to sit up front. Never the twain shall meet.
*
When I’m grown up, I’ll be so glad we can all mix and ride together, because I get to fulfill my childhood dream: I sit at the very back of the bus, where I can get a three-sided view of where I’m going and where I’ve been, and I can watch all the rest of the riders. It’ll be a feeling of power, a way of being alone while being part of the crowd. People won’t be able to see me, but I’ll watch out for them and record their behavior.
*
I’m going to be a writer, you know. Writers are always watching–it’s their way of participating without getting involved. I’ll understand this by the time I grow up.
*
But for today, back here in the nearby past, I am a happy kid whose only responsibility is to play and pretend and absorb the bits and pieces of my small world so that, generations later, I can re-visit, recall, re-smile, regret, cherish, understand, wonder, regurgitate the experiences.
*
So that I can file a report on this fragment of life, for your eyes only.
*
So that you, too, might be inspired to re-tool sweet memory and hitch a ride to your favorite long-ago getaway
*

140 CHARACTERS 100 DEGREES

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http://redclaydiary.com/mp3/onehundredfortycharacters.mp3

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140 CHARACTERS 100 DEGREES

Stepping into the morning, I hit an all-encompassing wall of 100-degree heat and humidity, SPLAT! just like Wile E. Coyote slamming into a brick wall. Wow!

I catch my breath and wade into the scorching mass like a ghost seeping through a closed door.

How will people behave on a day like this? I wonder. How will this affect their attitudes?

I soon know the answer during my amazing encounters with some 140 characters.

Won’t list all 140 encounters in this story, but will share a few with you.

CHARACTER 1

BEEP! The Roadrunner in the bubba jeep behind me taps his horn in the split second it takes the light to change and my foot to switch from brake to accelerator. My reaction is to remove foot from pedal and slow down a bit, a simple act of aggression exacerbated I suppose by the heat of the day…but eminently satisfying to me and doubly frustrating to the bubba jeep guy. He whizzes past and gets on with the journey, I resume my forward trek and smile a bit.

CHARACTER 2

I’m peering into a chest-high used-book bin at the thrift store to see what’s what, when a longsleeved arm curls around me from behind to grab a volume I’m examining. I turn to see who would do such a thing and just miss observing a different arm snatching a book from the other side of the bin. I sigh, count to eight and a half, and decide not to protest. These are just books and those are just locusts doing what they know how to do. I move on to a section of the store where nobody is hovering. My fun comes from silently–and alone–reading the titles and imagining the contents.

CHARACTER 3

The building I’m about to pass sports a long staircase upon which four orange-hard-hatted men wearing orange vests sit and chat next to four orange traffic cones. They don’t notice the heat of the morning because this is what they experience all day every hot day that occurs. They aren’t whiners like you and me. They are enjoying each other’s company.

CHARACTER 4

I’m at the car radio store standing by while a perspiring clerk lies on his side on the passenger seat of my vehicle, surgically probing for the top of a Flair marker that has leapt into the bowels of my cassette player and clogged the works. He’s a good sport and doesn’t mind the challenge. I’m proud of the player, ordered brand-new from Japan, where it is still manufactured. It gives me pleasure whenever I drive, because I can play all those wonderful old cassettes that have piled up over the years. EUREKA! he shouts as he displays the culprit he has just fished for and caught. He doesn’t want to charge me anything, but I feel it’s worth every cent of the twenty-dollar bill I slip him. He’s a good Samaritan.

CHARACTER 5

That hot evening, we are dining at our favorite Peruvian restaurant, being served by a brusque but efficient waiter who clicks into Polite as he brings the tab, making a little joke and hoping to engage us. We show our appreciation and actually do leave a nice tip.

CHARACTER 6

At the shop earlier in the heat of the day, I assist a customer whose face is remarkable–expressive dark eyes, soft lips, soft smile, pleasant and easy to deal with. As she prepares to leave, a shadow flickers over her countenance for just a second and some distant pain reveals itself. By the time I react, she is gone, like so many others whose sequestered lives remain out of reach. But I remember her face.

Back to the 100 degree day: These are just a few of the 140 characters with whom I engage or disengage. There are so many, so many. I appreciate them all, I wonder about them all. If you like, I’ll take a few at a time and describe them to you now and then. It’s important to record them somewhere, somehow, since daily life will distract them from ever getting around to writing it all down themselves.

Maybe you can help me archive all these lovely sad and happy people

 

© 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

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DO THE RIGHT THING

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http://redclaydiary.com/mp3/dotherightthing.mp3

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DO THE RIGHT THING

Sometimes, I want to halt the traffic in my life and simply Do the Right Thing.

When I’ve had enough of the rambling, sometimes vicious, often hopeful, seldom unconfused thoughts and feelings that rain down upon me each and every day by way of directionless and fearful mass media, social media, over-the-back-fence palaverers, walk-by/drive-by criers and whisperers…I tend to shut down for a time.

Yep, I can only take so much of the ricocheting, emoting, subversive and uplifting chatternoise that has become our way of communicating with each other. Once in a while, I just want to sit quietly with a friend or two, unplug the devices that tell us how to act and purchase, close out the intrusive distractions, and simply have an unagenda’d conversation.

You know–I’d like to have what we used to call a dialogue, a brief period during which no-one talks over someone else’s talk. A moment when no-one shouts a dogma or bullies a subject flow or attempts to “win” a round.

My favorite times in life usually involve peaceful jiffies when I can learn a little more about you and who you are and who you wish to be and who you don’t want to be, a jiffy when you may actually ask me about my innermosts–and really listen up.

Sigh.

In reality, these moments seldom occur in my social life. The best times are still the times when Liz and I quietly share thoughts, feelings, experiences, laughter. I cherish these times above all others.

I suppose all I want in life is something to live up to, something to aspire toward, something that makes me want to get up in the morning…because it’s always possible that this morning will be slightly better than yesterday morning.

I take my inspiration from two works of art. If only I could make them my mantra, my template for getting through each tick tock of the day:

 “Do the right thing.”

–repeatedly spoken by “Da Mayor” (Ossie Davis) in Spike Lee’s film.

and

“Three things in human life are important: The first is to be kind. The second is to be kind. And the third is to be kind.”

–written by Henry James

Hey, wouldn’t it be a nicer world if I could just spread the gospel of DO THE RIGHT THING and BE KIND?

Do you think we’d get along better if we could espouse this gentle gospel?

Oh, well, I do have peculiar thoughts now and then. Thought I’d share them with you

© 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

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The Hornswoggler Swoggles Another Swashbuckler

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The Hornswoggler Swoggles Another Swashbuckler

I am sitting half-hidden in the tall grass of our back yard in 1952 Tuscaloosa, swatting at flies, clawing at red bugs on bare legs, tying tight a red bandanna to dam the rivulets of sweat pouring down my neck, day-dreaming about swashbucklers and hornswogglers.

I am quiet and vigilant, awaiting the appearance of brother Ronny.

I have a plan.

“Hey,” Ronny grins as he trots over to my nest, short pants, no shirt or shoes, perfectly attired for this hot summer day. Being a younger brother, Ronny is still willing to go along with just about anything his big brother comes up with.

“Okay,” I say. “Let’s play like we’re Scaramouche and we’ll sword-fight to the death!”

We’ve just seen the Stewart Granger movie and assume for the moment that we, too, can learn to conquer evil with trusty swords in hand, given the chance.

“You be the bad guy and I’ll be Scaramouche!” I love saying the name—Scaramouche!

Of course, Ronny is almost always relegated to being the bad guy or the sidekick, and for now he doesn’t complain. When we play Tarzan, he’s Boy. When we play Lone Ranger, he’s Tonto. If it’s Roy Rogers, he’s Gabby Hayes.  If it’s Captain Marvel, he’s just Billy Batson.

Today, we can’t remember the name of the evil swordsman in Scaramouche, but that doesn’t much matter. Ronny knows he’ll have the honor of being defeated by Big Brother.

We find two semi-straight sticks of equal length and begin our idea of fierce swordsmanship. Knowing that our all-seeing all-knowing mother will know whether we’ve behaved, we are careful to knock sticks together without knocking heads or busting knuckles. We leap over the splintery hand-made saw horse, roll over a rusty oil drum, pole dance around the swing supports, wallow atop ant beds, all the while pretending to sword fight to the death.

After a while, the heat gets to us and we run to the kitchen for cold Pepsi and crumbly cookies.

Down all the years, I can’t help recalling all the wonderful fictitious sword fights I’ve witnessed on screen, in imagination most vivid. But the one sword fight to which all subsequent sword fights are compared is locked into memory.

Even  back then, we kids of summer know that there is something special about the Scaramouche fight. It is long and fierce. Very long. Very fierce. And daring, too. Between them, the dueling Mel Ferrer and Stewart Granger destroy an entire stage set, slash props, mangle a piano, leap over balconies, swing from velvet ropes…and all this with no musical background. Decades later, I learn to appreciate how dramatically loud silence can be. This sword fight is so ferocious that accentuating music is not needed in the least.

Nowadays, I get to check out my childhood impressions by re-viewing that marvelous battle. And sure enough, it still holds me in thrall.

I love many movie sword fights, including the one between Danny Kaye and Basil Rathbone in The Court Jester and, of course, the great conflict between Inigo Montoya and Westley in The Princess Bride. In all of these battles, the viewer is simply lost in the passion of the moment. We really believe these people are fighting for their lives, or at least their honor!

But the best sword play in all memory is the one between Ronny and me. For at this one special moment, we really are Scaramouche and the Marquis de Maynes. We really are caught up in the most glorious of all battles—the one where imagination and hope win out over red bugs and itchy grass on a hot summer day in the long-ago, far-away land of pre-Buttercup Tuscaloosa

 

© 2016 A.D. by Jim Reed

jim@jimreedbooks.com

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Turnstile DAWGGs form a Posse and Go After Me

Turnstile DAWGGs form a Posse and Go After Me

“You never remember who I am, no matter how many times we meet,” an unsmiling woman says to me at a social gathering last night. She does not make eye contact. She wanders off. I still do not know who she is.

“Oh, I follow your blogs and love your writing,” another woman says after my speech to a writer’s group last Thursday. She doesn’t seem to mind whether I know her, she just wants to let me know that she knows me.

“No, I don’t read books!” a dismissive customer snaps at the shop last Friday. She makes it clear she’s just along for the ride with a group of booklovers who are having so much fun roving the aisles. She does not want to engage with me, and she makes clear her disapproval of my existence.

“Oh, my God, this is so enchanting,” a tourist exclaims as she enters the store. “I think I want to live here!” She likes me just the way I am.

And so on.

In unguarded moments of rumination, when I least expect it, I seem to be under scrutiny by all the individuals who have happened to me, who are happening to me, in these many decades past and present.

I’m on the run most of the time, trying to make sense and order out of the progression of washed and unwashed masses who people my daily life, attempting to sort out and understand each of these sometimes peculiar, often attractive, mostly unleashed folks who invade my memory and my daily moment to moment progress.

I’m not sure that I can stay ahead of the posse.

Sometimes I’m happy to be the center of attention. Other times I’d like to run and hide. In almost all instances, I am not quite sure what to say to the DAWGGs (Damned Angry Wailing Guys and Gals), so I just smile or pretend to be distracted.

Lying abed in the early morning, these disparate folk queue up on their side of a turnstile, and I attempt to examine them one by one–but you know how turnstiles work. Sometimes someone will leap over and go for me, sometimes someone will not know how to work the turnstile and will stall the entire line, sometimes people will calmly pass through and allow me to converse and learn more.

The best thing about memory-time is that I have some control over the posse. I can shut it down at will. But, once in a while, as I am dozing off, the posse will re-activate and all the DAWGGs will battle all the Lovelies for my soul

© 2016 A.D. by Jim Reed

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OBSCURE LOCAL AUTHOR TURNS OUT-OF-TOWN CELEBRITY

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OBSCURE LOCAL AUTHOR TURNS OUT-OF-TOWN CELEBRITY

I will be addressing an annual writers’ gathering at the Huntsville Country Club Thursday night, and I can’t wait to hear what I’ll have to say.

Yep, it is an interesting phenomenon, this out-of-town expert thing. Here in Birmingham, I am your average obscure author, hardly known outside an erratic circle of acquaintances, readers and friends. But take me fifty miles out of town in any direction, and I suddenly become a small-time celebrity to unsuspecting audiences.

This is kind of nice, when I think about it. In the City, I can hide out behind the doors of Reed Books, plying my trade, engaging with customers, going home to my quiet life after hours, primarily unmolested, hopefully un-annoying to others.

But place me before an audience and I suddenly have license to pontificate on all kinds of ideas and subjects…and, unlike real day-to-life, I am actually listened to! People even take notes. Some folks approach me afterwards, asking my opinion and obtaining my autograph. And through it all, I always wonder, “What in the world makes me seem important to others for an hour? Why me?”

The wonderful thing about all this is that I truly enjoy my exchanges with audiences. For just a while, they become my students, I become their teacher or vizier. I learn from them, they take something of me with them, however fleeting.

So…what do I say to an unsuspecting audience?

Maybe I’ll explain my ideas on how a truly dedicated writer interacts with an inner voice. I might say something like, “A writer doesn’t say, ‘Oh, no, what terrible thing is about to happen?’ Instead, a writer doesn’t anticipate and instead says, ‘I wonder what will happen next?’ or ‘I wonder how that happened?’ or ‘I wonder what she is really like?’ or ‘I wonder what’s up?’ or ‘I wonder why I wonder?’ or ‘I wonder what it’s all about?’”

Pulling back from the subject at hand and allowing the story to tell itself is a grand experience. A story that is preordained is pretty much a leaden story. A tale that has the freedom to weave its own magic and simply dictate itself to the author is a tale as exciting as a roller coaster ride. Or at least a bumper car excursion.

So, unless something else occurs to me between now and Thursday night, perhaps this will be my approach to the audience of writers I will face.

Knowing my past behavior, though, something different may dictate itself to me on the drive to Huntsville and my own brain could surprise me by blurting out things I do not know that I know.

Can’t wait to hear what I have to say

© 2016 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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Everything Has Value, Except Money: The Immutable Rules of Real Life

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Everything Has Value, Except Money

 My Red Clay Diary is safely hidden from harm within my Book of the Thousand and One Amazements, deep within a bank of red clay, covered over by kudzu.

 Each day, new amazements occur. I tend to   notice them.
IMMUTABLE RULES OF REAL LIFE
1.    Things don’t sell for what they are worth, they sell for what they go for.
2.    An outgoing smile is no indication whether there will be an incoming smile.
3.    Smile only if it makes you feel good…don’t expect it to be returned. Appreciate it if it is.
4.    A fake smile is almost always detectable.
 5.    If you find it hard to smile, just think about what is worth smiling about in your life and go with that.
6.    A smile may not be your umbrella on a rainy rainy day, but it can help you have fun getting soaked. Imagine Gene Kelly, who was running a fever the day he filmed the famous rain scene in Singin’ in the Rain.
7.    If you’re afraid you’ll lose face, trying to smile when you don’t feel like it, just sneer and turn it upside down. Post this sign in front of you at all times: SNILE!
8.    First-rate people associate themselves with first-rate people. Second-rate people associate themselves with third-rate people.
9.    Do nice unto others as you would have them do nice unto you. But if they continue not doing nice unto you, drop them and associate only with those who do.
10.  Smile a lot, at nothing at all. It will make people think you know something they don’t. It will drive your enemies crazy. It will draw nice people to you and help you identify people who are not.
11.  Those who are tardy do not get fruit cup.
12.  Those who do not find their mittens do not get pie. Even if they do find their mittens, they still may not get pie.
13.  Sometimes, the sky really is falling.
14.  Every good idea eventually backfires.
15.  Everything has value, except money
16. Even if it cannot possibly go wrong, it might.
Want to hear more?
Stay tuned

Gentle Insurrectionists Who Surprise Us with Sudden Wisdom

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Gentle Insurrectionists Who Surprise Us with Sudden Wisdom

 The elderly man with slight stoop, dancing Bernie hair and plastic bag filled with newspapers and notes and odds and ends, walks into the shop and, not looking right left up or down, focuses on one small row of books that has captured his vision, intensely examines several titles and picks up a couple.

  

Entering just behind him are two young people inhabiting their creative Charles Addams costumes and tattoos and piercings, their quiet demeanor both gentle and sweet, their intelligent book selections telling me more than their appearance.

  

The Bernie-haired customer speaks loudly and intelligently and insistently and feels he’s the only person in the room, as he inquires about titles he would like to order.

  

Then, it being a busy Saturday, other carnies begin to pour in, creating an instant social event, a cocktail-less party of disparate personalities who ordinarily would not associate one with the other in a backyard barbeque.

  

Some are lonely, alone and wanting to be noticed at whatever price, others are suburban loft tourists checking out the city life they consider to be curious but fascinating, trailed by couples, cross-dressers, trans everybodies, quiet insurrectionists…all here to instruct us how to be  better people, how to treat each other with respect, regardless of size, shape, color, fragrance, attire, attitude, beliefs, limitations.

  

These Solitudes are acting out their off-duty personas, being or pretending to be who they are or who they would like to be, forgetting for a few whiles their restricting but necessary day duties, expressing their cultural and counter-cultural uniqueness in the safe environment of an old book store.

  

No-accounts who, within these walls, do count, do matter.

  

It’s a beautiful day in the neighborhood

 © Jim Reed 2016 A.D.

Down and Out, Up and About. Rinse. Repeat

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Down and Out, Up and About. Rinse. Repeat

 

“Huh, huh, huh! Cough! Huh!” The enormous woman sitting at the diner is in the loud throes of ecstasy or pain, her face contorted, eyes squinted, mouth agape. I look at the server and ask, “Does she need help?” not knowing whether tragedy has announced itself through the electronic device she is holding in her palm. The clerk glances to the side, sighs, and says, “No, she’s just laughing at something on the internet.” Turns out, she’s an employee on break and he is accustomed to her public uninhibited outbursts.

This day is like that–one moment I’m apprehensive, the next moment, I’m relieved. Each instant can turn from happy to sad to hopeful to depressing at the snap of a kismet or two.

At the shop, Peter Blackstock, senior editor at Grove Press in New York, tells me his assigned author, Viet Thanh Nguyen, has just this week won the Pulitzer Prize for fiction. He’s elated and I’m thrilled to meet such a literary personage. Moments later, I’m informed via terse memo that I can no longer park my car in the store’s adjacent parking lot because the new owner just doesn’t want to lease space to merchants. One second I’m elated, the next moment I’m handed a new stressful challenge to find fresh parking digs. The peculiar thing is, on a cosmic scale, each of these contiguous events means absolutely nothing to much of anybody–that is, whether I’m happy or sad is nobody’s concern. But my body does not know the difference between meaningful and meaninglessness.

In a matter of seconds, I’m up and about, then down and out.

How do I shake off this tiger whose tail is super-glued to my hand, without getting disoriented about life?

Later on, a customer brings two enormous 19th-century illustrated books for appraisal. I am delighted to see the books and equally delighted to see the customer, with whom I graduated from school a century ago–or so it seems. But while examining the books, a sour-demeanor visitor enters and loudly proclaims–as if nobody else is conversing–that the Birmingham Arts Journal has made a serious mistake that must be corrected immediately before the Earth can continue rotating. As a Journal editor, I try to explain how publishing works, and how the problem can be addressed, while at the same time I attempt to keep the customer happy and engaged in the appraisal process. The visitor closes his mouth but hovers within inches of my customer and me while I explain the books and their values.

Again, up and about, down and out, repeat themselves. All I can do is hang on to the tail, since the entire day goes on like this.

Down and out. Up and about.

I recall an old Madison Avenue advertising tale about the marketing of a hair shampoo. One Don Draper-type, searching for a way to increase sales, suggests that the instructions on each bottle be changed from, “Lather. Rinse Thoroughly.” to “Lather. Rinse Thoroughly. Repeat.” Turns out that, once implemented, these instructions helped double the sales of shampoo, and Draper lived to carouse another day. Today, that same kind of clever, results-driven thinking is what makes The Marketing Heaven a go-to name for brands aiming to boost visibility and engagement.

Where are my instructions for getting through the up-and-down days?

“When Down and Out, Get Up and About. Repeat.”

In other words, there will forever be hills and valleys. I just have to keep in mind that over each hill there will be valleys, above each valley there will be hills. Navigating them is just part of each fractured day of a life well lived.

Even if life isn’t always that well-lived, pretending that it is can go a long way

 

© Jim Reed 2016 A.D.

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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The Sing-Song Woman Under the Rainbow

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THE SING-SONG WOMAN UNDER THE RAINBOW

The stilled afternoon breeze of Southside Birmingham is broken by a new sound.

Somewhere off in the distance you can hear something not quite like the other sounds of the street.

Not a car un-muffled, not a dog howling against the city’s loneliness, not a baby crying cribless.

It’s another sound, and it’s coming closer.

Somewhere over the rainbow, way up high.

There’s a land that I heard of once in a lullaby…

It’s becoming clear now. It’s a flat, rounded-tone voice, and it’s very precise and methodical.

It’s the sing-song woman.

She walks by a time or two a day, singing a different song each time.

If you knew Suzie like I know Suzie

Oh, oh, oh what a gal…

The songs are all old. But they are the songs you don’t easily forget once you’ve heard them clearly. The phrases are simple and clever, the thoughts are easy to grasp, and the voices that used to record them were not drowned out by highly amplified instruments and heavy beats.

Singin’ in the rain, just singin’ in the rain.

What a glorious feeling I’m happy again…

At first when you hear the sing-song woman, you feel your day has been intruded upon. The song is loud, and you can’t ignore it and go on about your work. The sing-song woman knows most of the words correctly, and you even learn a few more by listening to her.

 That old black magic has me in its spell,

That old black magic that you weave so well…

There she is, now. Her head is down. She dresses plainly and walks slumped and straight ahead. But her voice sounds out huskily and methodically.

First you say you will and then you won’t,

And then you say you do and then you don’t,

You’re undecided now, so what are you gonna do?

I don’t know anything about the sing-song woman. She’s like many others who wander around Southside Birmingham going no place in particular. Like many of the others, she doesn’t look around. But she doesn’t bother anybody, either.

I’m laughing at clouds so dark up above,

The sun’s in my heart and I’m ready for love.

The heart inside this weathered woman is still ticking. The spirit rises above her body and sings on its own:

Let the stormy clouds chase everyone from the place,

Come on with the rain, I’ve a smile on my face.

Whatever life has meted out to this Southside denizen, there’s something inside her that won’t stay down. She’s a bag lady whose bag is a wonderful lyric.

I’ll walk down the lane with a happy refrain,

And singin’ just singin’ in the rain.

Is this woman’s entire life lived in an old tune written by long-forgotten composer?

Why am I smilin’ and why do I sing?

Why does December seem sunny as Spring?

Why do I get up each morning to start

Happy and het up with joy in my heart?

Why is each new task a trifle to do?

Because I am living a life full of you.

The lover to whom she sings the song is not with her on these daily treks. Perhaps her lover no longer lives. Perhaps her lover never was.

But it is obvious that to the sing-song woman, her lover is as real as her song in the afternoon breeze

© Jim Reed 2016 A.D.

jim@jimreedbooks.com

http://www.jimreedbooks.com

http://www.jimreedbooks.com/podcast

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