DRESSING THE LAWN MOWER MAN

 

Listen to Jim: http://www.jimreedbooks.com/mp3/lawnmower.mp3 or read on…

 

I’m flat on my back upstairs in bed, alone in the house and feeling sorry for myself

for not being able to get up and around because of this dislocation thing with my

back–you know, the kind of back pain that only gets worse if somebody tries to

help you to your feet.

 

The house is a century old and made of old wood that creaks and signals throughout,

whenever anything moves in or about it.

 

Suddenly, I hear, or feel, that someone or something is on the front porch. Two

thoughts present themselves: 1. a neighbor is about to ring the bell, or 2. we’ve had

a series of yard and porch thefts in the ‘hood lately, so somebody could be grabbing

something.

 

Since the bell doesn’t ring, I decide I’d better check on things. Adrenaline must be

kicking in, since I arise relatively painlessly and hobble to the stairs, still not sensing

anything but movement on the porch. Halfway down, I can see through the front door

glass that a male is leaving the porch, carrying my lawn mower with him and heading

for the adjacent alley. I can’t possibly run down the stairs after him, so I do the next

occurring thing: I return to the bedroom and raise the alley-side window, stick my head

out and instantly see the lawn mower thief below me, scurrying past.

 

Without thought or consciousness, my fifty years of theatrical and speech training pop

into mind like a perky toaster, I recall a wonderful scene from The Dresser, in which aging

thespian Albert Finney uses his booming voice to actually stop a train. I expand my

diaphragm, remember how my theatre coach taught me to project words from upstage

to the last row of the audience, add a pinch of Christopher Lee and Boris Karloff for

extra fear factor and yell, “Put that down!” The thief is so startled at the heavenward

voice that he drops the mower, spins around, wondering what to do next. Then, for

emphasis, my brain makes me add, “I’ll shoot you, you S.O.B.!” Where that last line

comes from I’ll never know, but Clint Eastwood and John Wayne must have influenced

me in some way.

 

The lawn mower man has an epiphany and disappears faster than the Roadrunner.

 

Later, I retrieve the mower and wonder what in the world made my back pain go away.

If I knew the answer, I could influence the incomes of orthopods and chiropractors

everywhere.

 

But I’m rather proud of myself for using my best weapon in a responsible manner.

If you ever need help stopping a train or a thief, just call

© 2011 A.D. by Jim Reed
 

 

http://www.jimreedbooks.com

 

 

 

 

 

 

JESSICA AND ME IN SEVENTH HEAVEN

Listen to Jim: http://www.jimreedbooks.com/mp3/seventhheaven.mp3 or read on…

HALF A LIFETIME AWAY, IN SEVENTH HEAVEN

Eldest grand-daughter Jessica is getting married on Saturday.
One day, about half of her lifetime back,
the two of us prepared dinner together.
Here are my notes. 


     I’m sitting at the kitchen table, observing Jessica. She’s 13 years old these days, and 13-year-olds must be watched and carefully considered, since time passes so fast and before you know it a 13-year-old will be a 25-year-old and you won’t have any idea where the time went, where the moment went, where the 25-year-old went.
 
     Jessica is sitting at the table in front of four soup bowls, or maybe they’re salad bowls, only they don’t contain soup or salad. Into one bowl she has crumbled up a bunch of Ritz Crackers, another bowl contains milk, another is filled with flour and the fourth holds several eggs she has whisked together into a sunshiny blend. She’s had me cut up a lot of de-boned chicken breasts into nugget-sized hunks–the only way to do it, she insists.
 
     Over on the stove, the wok awaits usage, since Jessica instructs me not to turn the heat on till she’s through doing what she’s doing at the table, which is: each hunk of chicken must be dipped one at a time into all four bowls, until the hunk looks kind of flaky and golden and quite raw. The process takes a while, but that’s OK because we’re chatting a little bit and she’s got the TV turned up high so she can watch and listen to one of her favorite shows–Seventh Heaven, or something like that.
 
     Earlier, we’ve gone to Bruno’s Supermarket and bought everything on Jessica’s list: Chocolate chip mint ice cream, corn oil, pre-packaged salad (Jessica likes it because she says it doesn’t have to be washed and it’s already cut up. I wash it thoroughly, just in case somebody named Booger has not practiced good hygiene the day he packs the plastic bag), frozen lima beans for microwave zapping, and whatever else Jessica has decreed for the ideal meal at home.
 
     Process is important to Jessica. Everything must be done a specified way, a specific way, or the meal will be ruined. She’s a particularly finicky eater, so finding a meal that she’ll actually eat is tricky. She’d rather not eat at all than eat something she’s never tried and has made a firm decision against.
 
     Anyhow, we get this meal cooked to Jessica’s satisfaction, and we even clean up the kitchen so that there will be no trace of the havoc we’ve caused in her father’s absence.
 
     The deep-fried chicken nuggets are good–we’ve cooked about four times as much as we can eat. And we’re both somewhat satisfied with ourselves. She gets what she wants–a meal just like her Aunt Vikki cooks. I get what I want–a nice meal at home, not prepared by strangers, prepared with love and camaraderie, and the company of my grand-daughter.
 
     We settle in to wait for her father’s return, watching this TV show she loves, Seventh Heaven,  and the night is quite all right, as nights on earth or in Seventh Heaven sometimes are

© 2011 A.D. by Jim Reed

 http://jimreedbooks.com

THE LONG-AGO GIRL WHO IS SOMEONE’S MOTHER’S DAY MEMORY NOW

Listen to Jim: http://www.jimreedbooks.com/mp3/metallicblue.mp3 or read on…

 

 

I never kissed her, I never conversed with her, the two of us never touched.

She sat across the classroom from me and never noticed me, but I noticed her.

.

Her eyes were metallic blue, so clear that the rest of her features hardly mattered.

She could have weighed three hundred pounds, she could have been smelly,

she could have been profane, but it would not have mattered, because all I saw

were those metallic blue eyes set perfectly in her clear, creamy complexion, her

short brown hair simple and smooth, framing that face in which two clear metallic

blue eyes floated for my private pleasure.

.

I don’t remember her name. I never had the courage to speak with her. I have

no idea what became of her.

.

I just remember those clear blue metallic eyes longing for me, even though their

owner was not aware of my existence. I remember longing for her eyes and

everything that went with them, but this was long before I knew how to reach

out and ask for what I wanted, long before I knew why I wanted what I wanted,

long before life eased me slowly into maturity and mellowness.

.

Down the many years since, I fell in love a thousand times, a moment at a time.

But the girl with the clear metallic blue eyes still flirts without knowing it, still makes

me smile, reminds me that longing is far better than possessing, far more powerful

than love gained and lost, far more potent than reality

.

© 2011 A.D. by Jim Reed

http://jimreedbooks.com

HOW TO BECOME YOUR OWN BEST MEMORY

Listen to Jim: http://www.jimreedbooks.com/mp3/slipperymind.mp3 or read on…

HOW TO BECOME YOUR OWN BEST MEMORY

.
As the storms of Wednesday-last hover and sink deeply into our minds, it occurs

to me that, in the long run, we tend to rearrange our memories and allow them to fade.

.
To a storyteller, this is unacceptable behavior.The only plea a teller of true tales can make

that is worth making is, Please don’t let this happen. Write down/record each detail of your

experience, whether you were in the Eye or whether you escaped physically untouched. Fact

is, we were all touched, deeply and irrevocably. What matters now is to work these events

through the system, so that some degree of peace and closure and perspective can occur.

.

You are your own book, whether you know it or not, and now is the time to start transcribing

your life so that you and others can come to terms with the preamble, duration and aftermath

of what you have lived.

.
That’s why I do my 90-minute presentation, How to Become Your Own Book. It’s one way I have

of helping you get started–if you’re having trouble getting started.
.

How to Become Your Own Book. Next presentation: Wednesday, May 11, 6:30 till 8p.m. at the

Hoover Library. Free and sponsored by the Women’s Business Center. http://birmingham365.org/event/detail/441205719/How_to_Become_Your_Own_Book 

. 
IF YOU NEED FURTHER ENCOURAGEMENT, READ ON:

.
I like the slippery past of my mind.

.
May I explain?

.
As a village elder, I can tell you this for sure: memory improves with age.

Once I experience something, it remains indelible in my stockpiled recesses.

As I grow and gain wisdom and interpret those images a thousandfold, the

pixels increase in density and complexity and project a clearer, higher-definition

memoir.

.
I’m not kidding!

.
By the time the brew ferments, maybe a month later, maybe half a century later,

it’s ready to share with others.

.
At that point, it is birthed as a fully-developed child in the latest story or column

that writes itself for me. It comes out unedited, unexpurgated, undiluted, and complete.

.
I don’t understand how this happens, but now that I’ve written more than 2,000 stories

and pieces of stories, and a dozen or so books, I’m pretty used to the process.

.
One litmus test is to allow the stories to leak out into the cosmos so that readers can

check them out, test the facts, critique the results. From them, I’ve learned that my mind,

as flaky as it outwardly appears, is actually a pretty good recorder of life.

.
At my age, I’m finally beginning to trust my writing instincts and storytelling skills.

.

So, How to Become Your Own Book is my gift to you. It’s for skilled writers who want

some jumpstarting…for beginning writers who want an emotional roadmap…for those

who don’t think they are writers but actually are.

.
You are now the writer. Keep me posted and let me know how things turn out.

.
Before my mind gets too slippery

.
© 2011 A.D. by Jim Reed

http://jimreedbooks.com

HOW TO MAKE LOVE TO A BOOK

Listen to Jim: http://www.jimreedbooks.com/mp3/howtomakelove.mp3 or read on…

 

HOW TO MAKE LOVE TO A BOOK

.

The grizzled browser stands frozen in statue-like meditation, peering at

the bookshelves before him.

.

He hesitates to reach out for a volume, lest he break the spell of anticipation.

.

Finally, after a long, suspended moment, his wrist rises before and

above eye level, the first two fingers of the right hand perch atop the

spine of one particular book. He pulls it gently forward, tilting the

volume outward, allowing it to float into his caressing palms.

.

The front cover gazes up at him, whispering its title, Fireflies. He

lowers his gaze, noting the author’s name, RabindranathTagore, and

the illustrator’s name, Boris Artzybasheff.

.

He dares to open the book to a random page and sees that a passage has

been marked in orange ink by a previous owner, some 34 years back.

.

The marked passage:

“From the solemn gloom of the temple

children run out to sit in the dust,

God watches them play

and forgets the priest.”

.

The browser is visibly startled at the power and simplicity of this

passage and steadies himself against the bookcase before summoning

the courage to turn the page.

.

What orange-highlighted thought could possibly top this one? he

wonders.

.

Taking a half-breath that feels almost like a gasp, the browser turns to

another section of the book.

.

The marked passage:

“My clouds, sorrowing in dark,

forget that they themselves

have hidden the sun.”

.

His brow wrinkles, the fine hairs on his neck stiffen. He is aware that

there are additional marked passages to absorb.

.

He closes the book and holds it close to his chest, fearing that, should

he lay it down for a moment, someone else, noting its beckoning glow,

might grab it. Since he has no way of knowing whether this is the last

remaining copy of Fireflies in the known universe, he hasn’t the heart

to leave it for later.

.

He turns with his trove and walks quietly to the front of the shop,

determined to purchase and adopt it, regardless of the price

.

©  by Jim Reed 2011 A.D.

http://jimreedbooks.com

Is It Just Me?

Listen to Jim: http://www.jimreedbooks.com/mp3/isitjustme.mp3 or read on…

 

IS IT JUST ME?

 

Is it just me, or did you notice this, too?

1.           An NPR interviewer asking an interviewee whether

he was filled with guiltiness.

2.           Representative Anthony Wiener saying, “We need

to look at the entire totality of the problem.”

3.           The movie theatre screen promo stating, “Concessions

are located in lobby.” (Kind of like saying, “The urinal is

located in the men’s room.”)

4.           The disembodied voice-mail lady saying, “You may hang

up when finished.”

5.           The large metal sign in the drive-through line at the Power

Company saying, “To provide faster service a bill stub will be

required at the drive thru beginning January 1, 1997,” which

means a lot if you’re still living in 1996.

6.           The customer mentioning his “sparodic activities.”

7.           A commentator reporting, “He was hung at midnight.” But

was he ever executed?

8.           The attorney actually labeling a crime as “HEE-nuss.”

9.           The transit system bus sign stating its destination as,

“17 Century Plaza.” Wow! Time machines DO exist!

10.   A customer saying, “His remarks were derogatary.”

OK, so maybe I listen too carefully. What have you heard today?

Being an editor can be hilarious

© 2011 A.D. by Jim Reed

http://www.jimreedbooks.com

See How Beautiful This Is?

Listen to Jim: http://www.jimreedbooks.com/mp3/noticing.mp3 or read on…

 

SEE HOW BEAUTIFUL THIS IS?

 

The Museum of Fond Memories at Reed Books is not quite what you’d expect. The shop stocks everything your mother and grandmother threw away…but at the same time, the shop is everything your mother and grandmother wished a real museum would be.

.

May I explain?

.

From my mother, I received the gift of noticing. Sometimes the gift was a bane, but put to good use, it turned out to be life-affirming and motivating—you know, the kind of motivation it takes to get up in the morning and find hope awaiting.

.

Wherever my mother journeyed, she always reached out to her surroundings in order to experience them as completely as possible. Passing a fencepost or garden or a lost child, she would stop to find out what was what. She touched the fencepost to feel its texture and temperature, she touched the plants to draw nutrients from their essence, she spoke to the child to see how she could make it found again.

.

At museums, Mother’s proclivity for touching was forbidden. She didn’t want merely to see and smell and exalt, she wanted to reach out and touch everything on display. Security guards had to watch her closely, and we had to remind her that touching art and artifact was frowned upon.

.

So, many years later, in honor of Mother, I put together the first vestiges of the Museum of Fond Memories at Reed Books. I dreamed of a museum that provides two services most all museums forbid. In my museum, you are encouraged to touch what you see. In my museum, you can actually purchase what you crave and take it home with you.

.

No virtual museum for my customers…no hands-off museum for my customers. This is a place my mother would have loved.

.

This is a place where all Mother’s aesthetic clones in the world are free to enter, touch, appreciate, purchase and adopt what their wishes dictate.

.

Does this resonate with you? Does it help you understand why my museum is what it is?

.

If you’re a dreamer and toucher and adopter, you are welcome to my sanctuary.

.

Come see what it’s like to feel a museum of fond memories

.

© 2011 A.D. by Jim Reed

http://www.jimreedbooks.com

ADVENTURES OF THE BOOKENDED MUSE

Listen to Jim: http://www.jimreedbooks.com/mp3/museme.mp3 or read on…

 

ADVENTURES OF THE BOOKENDED MUSE

 

I’m bookended this week.

.

Today (Sunday), the Word Up! county-wide poetry contest for high schoolers

tickled my Muse and made me smile to the brim.

.

This coming Tuesday night, an inspiring reading/reception at the Hoover Library

will tickle me again, this time with a joyous mishmash of poets, authors, artists and

photographers, all celebrating their work in the pages of the new issue of

Birmingham Arts Journal (y’all come! 6pm).

.

What’s in it for me, these two energizing events designed to make us all

want to tell our stories with zeal?

.

Well, each event is mandatory for me. I’m the annual emcee for one and the

quarterly editor/emcee for the other. The commitments themselves keep me

focused, keep me attending. If I were not on the program, my interest would

likely trail off, replaced by some new endeavor. The best way to keep myself

involved with any enterprise is to make an ironclad promise that holds me

responsible for the outcome.

.

My dad’s old-fashioned but never-really-out-of-fashion work ethic was

passed on to me.

.

If you encourage me to participate in something or other, my natural inertia

will probably prevent me from following through, since it’s easier to go home

after work and collapse into a meditative but sluggish heap. The good news

is that once I’m signed on and responsible, I’ll likely carry on with dedication

and zeal. This is good for me, since it keeps me from finding excuses to disappear.

.

This particular weekly column, then, is something I’ve promised my Muse and my

Self to continue ad almost-infinitum and, looking back, I realize I’ve been writing it

for way more than 25 years.

.

Yep, even when my weekly commentary was seen by a mere 400 bookdealers in

four countries, I always produced it. Then, when it started appearing in various small

newsletters and magazines around the region, even more folks had a chance to read

it—at least I think they did. Then came books that reprinted some of the columns.

And, for the past two or three years, many hundreds more are exposed to them through

the internet via blog, blast, tweet, facebook, website, links, etc.

.

My bookends are always driving me. Behind me is one deadline, before me is another,

and at this moment, while writing this, one deadline is encompassing me.

.

Thus proving that my Muse is really just Me

.

© 2011 A.D. by Jim Reed

http://www.jimreedbooks.com

WHATCHA GOT ALL THIS OLD STUFF FOR?

 

Listen to Jim: http://www.jimreedbooks.com/mp3/whatchagot.mp3 or read on…

 

Back in times more drear than these, in times when I still believed

you had to work for uncaring bosses because there were never

enough caring bosses around…back in those times, I would dutifully

and extravagantly do my job to the best of my ability. In order to

maintain sanity, in order to nurture my concealed Muse, I would

compensate myself through the pleasure of books.

.

I can remember days when my jobs took me far afield. After doing

more than my share of work in a strange city, I would knock off and

search for old books in old bookstores. My recreation, my therapy.

.

Trolling for treasure was my private pleasure. I never dreamed I would

one day be dealing in artifacts for a living, so I just enjoyed the moment

and remained focused on my private hobby.

.

From the outside, an old bookstore was just that—a place that magically

appeared in my travels and allowed me to enjoy its existence. Once I left

the store, in many cases never to return, I assumed it would always be there

should I need it again.

.

In other words, I took old bookstores for granted.

.

Now, right here in the present, I am experiencing an old bookstore from

the inside out. Now, I see customers who remind me of the pre-bookstore-owner me.

.

Example:

.

A little girl is shopping with her dad and sisters, and it is obvious

that an old bookstore is a new experience for her. At one point, she

wanders over to me and asks, wide-eyed, “Those diaries over

there…did you know that people have written in some of them?” I

nod, speechless for a jiffy. “Why would you keep them here?” she asks.

.

My mouth, always speedier than my brain, quips, “Why would I keep

diaries that were not written in? I can’t imagine selling blank ones…except

to people who want to keep their own diaries.”

.

She looks back at the mailbox area where thousands of old letters and

postcards and scrapbooks and snapshots arrange themselves in a merry

jumble. She’s absorbing.

.

“And just think,” I do go on, “We have all these notes and love letters and

secrets that people kept a hundred years ago…and we keep them safe for

other people to read and appreciate. We’re paying our respects to the lives

they once led.”

.

I stop at this point, lest I preach too much.

.

She and her sister wind up reading some of the letters and showing them

to their father.

.

Later, she purchases a blank diary. What will happen next? You tell me.

.

Another example:

.

A woman who is spending a lot of time looking for books from a list

asks, “What would you have all these thirty-three-and-a-thirds here for?”

She is disdainful. “Why would you keep these?”

.

I get preachy again. “Because we sell them to people who love to listen to

them, who appreciate their wonderful sound.”

.

“You sell them? How can they play them?”

.

“We sell record players, too,” I answer.

.

She has to ponder this, never having considered that things she once

discarded from her own life might still be cherished by people living other lives.

.

One more example of how the urban bookstore I’m so used to seems alien to

first-time visitors:

.

“What are all those police doing out there? What happened?” An anxious customer

is a little flushed after being outside the store.

.

“Uh, what police?” I really am not aware that anything has “happened” outside but,

this being the City, I would not be surprised.

.

I go outside to see what’s up. There, standing and chatting and merrily smoking,

are the security guard from next door and the security guard from across the street.

I assume that something I see—and inhale—every day can be something odd and

troublesome to an outsider.

.

I re-enter the store. “Oh, it’s just a couple of security guards.” I put my

the-City-is-safer-than-you-think spin on it and continue, “that’s one of the

reasons the crime rate is so much lower than in the suburbs. Many buildings

have their own security, in addition to the downtown security force the regular

city police.”

.

The customer relaxes and gets busy amassing an enormous stack of old

American Rifleman magazines he covets. Maybe his memory of Downtown

will be a benevolent one.

.

And so on.

.

Each customer brings perceptions I can’t divine until they reveal themselves,

so I’m learning something new every few minutes. My customers are my

instructors, I their student.

.

I wonder whether they ever get as much out of these encounters as I do

.

http://www.jimreedbooks.com  

© 2011 A.D. by Jim Reed

PEERING TWO DAYS INTO THE FUTURE

 

Listen to Jim: http://www.jimreedbooks.com/mp3/two-dollar_books.mp3 or read on…

 

 

THE SCIENTIFIC PROCESS OF MARKING BOOKS

DOWN TO $2.00 EACH

 

Today is Tuesday, March 15, just after everybody lost all memory for an hour on Sunday so that they forever wonder why they can’t remember how it got to be an hour later without their knowledge. Fortunately, some of them “get” it and realize that Daylight Savings Time did it to them—removed an hour of life and memory. Good news is, in a few months we’ll get that hour back and still won’t know how to put it to good use.

.

Where was I?

.

It’s Tuesday, almost opening-up-the-bookstore time. I’m preparing to roll the $2.00 book rack out to the sidewalk, hopefully to entice customers to pause in their onward rush, hoping to attract new customers, wishing folks would enter the store wanting to see even more.

.

I check the rack to see whether its holdings have grown stale. I remember a lesson learned decades ago in Green Bay, Wisconsin: “If you want your customers to think they are getting a good deal, give them an actual good deal!”

.

Are the bargains real? Well, there’s a first-edition Mark Childress (he just got on the New York Times bestseller list for the first time). So, that classifies as a good deal. There are Spider Man comic books of old—anyone who loves Spidey will like that. There’s a copy of Huckleberry Finn. Any price for Mark Twain is a bargain. There’s a how-to book on how to make your life perfect—if you object to the $2.00 cover charge you aren’t very motivated to rise from your misery, are you? Just guessing.

.

And so on…

.

I’ve now satisfied myself that the $2.00 books are worth much more than $2.00. Now, about the LP vinyl recordings for $2.00 each. There’s Louis Armstrong, Oscar Peterson, the Blackwood Bro’s, Lena Horne…need I say more? $2.00 for an hour with Satchmo beats any concert price I’ve ever paid, except for the times in my hometown that I gained free admittance to lectures and shows just because I was a reporter. I have fond memories of experiencing—and meeting—Andy Warhol, Dave Brubeck, Aldous Huxley, Carl Sandburg, the Kingston Trio, Bennett Cerf, Erskine Caldwell, and a plethora of celebrities who came to town in those long-ago years. All worth the price of admission.

.

Others I got to enjoy in person in later years include Gregory Peck, Marie and Donny Osmond, Vincent Price, Charles Laughton, Mel Torme, George Shearing, Ramsey Lewis, Fred Willard, Al Franken, Stan Kenton, Rich Little, Gay Talese, Buddy Rich, Milt Jackson, George Carlin, Quincy Jones, Oscar Peterson, PDQ Bach, Ella Fitzgerald, Ray Bradbury, Brian Aldiss, Edward O. Wilson, Bob Hope, and on and on.

.

I suppose this bookstore thing is all about me and my fond memories. But I also think it’s more than that. You see, selling their recordings and books and films is a way I can pass my appreciation of their talent—and my recollections—on to you. Listening to me go on and on is one thing, but the proof is in the reading, watching and hearing.

.

OK, so now I’ve assured myself that the bargains are bargains, I can in good conscience open the shop for business.

.

C’mon down

.

 

© 2011 A.D. by Jim Reed

http://www.jimreedbooks.com/index.php