Under the dome of Birmingham: Stalking the elusive mom and pop breakfast places

Listen to Jim:

http://redclaydiary.com/mp3/underthebirminghamdome.mp3

or read on…

The man of a certain age sits alone in the diner, his girth mastering most of the booth space.

He eats his breakfast as if he’s never eaten before, smacking and stuffing and sopping and glugging, like he’s not had a meal for days, though it’s evident that he’s been frequently well-fed and well-groomed. He leans into the food and stuffs away, his blow-dried sprayed whitening hair and monogrammed track pullover shirt quivering in the morning fluorescent light.

He is his own world for a few minutes in the crowded eatery.

Across the room, a mustachioed baseball-capped good ol’ boy with hand in napkinned lap eats mannerly and methodically, gazing all the while into the indiscernable space before him, ignoring the blaring TV set hanging from the ceiling.

Worldly waitresses, ears slanted from cached pencils, skillfully walk the tightrope assigned to their lot—the tightrope walk between appearing simultaneously aloof and chummy, careful to balance the roles of Mom and Flirt and Nurturer and Businesswoman while keeping all these morning shovelers of food happy and distant.

Four elderly men at Table 4 grunt and chat and laugh and tease as they relate oft-repeated stories about how the world is going to hell and how the young people these days…

They are having the best time they’ll have all day, for a smattering of minutes avoiding all responsibility and duty and honey-do tasks which will face them down later in the morning, no matter what.

One four-year-old sits with his grandmother and diligently stabs into waffles and syrup and butter with zeal usually assigned to a nervous dog digging for its favorite bone. In just a few years, he, too, will be trying to find the perfect breakfast place that replicates this perfect childhood experience he’s having right now.

He, like all of us in the diner, is imprinted with the combination of taste, texture, fragrance, feel of what it’s like to be in a safe, familiar, non-threatening place, being cared for by kindly strangers whose only goal is to feed you well and stay out of your way while you soak up all that nurturing atmosphere, the nurturing atmosphere you take with you to start the day right, even if later on, some grumbly non-breakfasted bastard wonders why you’re in a better mood than he is, and tries to take it all away from you

jim@jimreedbooks.com

http://www.jimreedbooks.com

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I’ll never forget the day I read a book

Listen to Jim:

http://redclaydiary.com/mp3/illneverforgetthedayireadabook.mp3

 or read on…

So…what is the first book you ever read?

What is the first book I ever read?

Allow me to crank up the Time Machine and get back to those thrilling days of yesteryear, when books slowly insinuated themselves into my life.

First thing I do is SEE a book. It’s over there, just within reach of my chubby little uncoordinated fingers. I can roll just a quarter-roll in my crib—that’s all it takes to see this unfocused blur of colors and shapes on the cover. All I know how to do is experience the book, not knowing that it can be read and manipulated. So, I do what I know how to do: lick the cover and gnaw at the corners. It tastes different than those mashed-up things they are feeding me. It would be even tastier if I could bite off a piece and swallow it, but that comes later.

So, first I SEE a book. Then I TASTE it. Then I masticate a bit. Then, I lose concentration and fixate on a wiggly toy that is hanging above me. I’ll get back to the book later.

Next thing I know, I’m snuggled up to my mother’s chest, experiencing the words she is reading to me as they vibrate the side of my face. I can HEAR her voice with one ear. I can FEEL her voice with the other. And then I note that she is gently turning the pages, causing the colorful shapes and strange markings to shift each time. I can hear her inflections of warmth, suspense, happiness, as the pages drift by.

Before I know it, I’m sitting up in my own wobbly fashion and turning the pages—not necessarily one at a time, not necessarily in any order. But I am doing the book the way I know how to do it. And, now and then, I even taste it again. I’ve been known to rub a crayon onto the paper to add color and design.

Time flies and now I’m reciting a book to my mother and sister, pretending that I’m reading it as the pages pass, but actually I still don’t know how to read, I’m just feeding back what I’ve heard them read aloud so many times. They play along with the ruse.

Now, at last, I am picking out a word or two in preparation for enrolling in the first grade. I’m excited about the prospect of actually making my way through the words with some degree of understanding. And, amazingly, after a while I start to read big-lettered words on my own.

What is the first book I can read without assistance? Hard to tell, since the books at school are not the same books we have at home. I’m reading some in both places. But in class, I get to read a Dick and Jane and Sally story all the way through! When I become an author many years later, I am jealous of those who wrote this reader. Wouldn’t you like to be the writer whose works can be recited by heart by millions of school kids? “See Dick run. Run, Dick, run!”

In middle age, I discover the song that comedian Jimmy Durante co-wrote and performed with gusto:

 There’s one day that I recall, though it was years ago.

All my life I will remember it, I know.

I’ll never forget the day a read a book.

It was contagious, seventy pages.

There were pictures here and there,

So it wasn’t hard to bear,

The day I read a book.

It’s a shame I don’t recall the name of the book.

It wasn’t a history. I know because it had no plot.

It wasn’t a mystery, because nobody there got shot.

The day I read a book? I can’t remember when,

But one o’ these days, I’m gonna do it again.

(Listen to Jimmy sing it, at the end of this column.)

Just yesterday, a pleasant family enters the shop, looking around and remarking upon the variety of things to read. One young girl is just tagging along, so naturally she’s the one I try to engage in conversation: “What do you like to read?” I ask, hoping to introduce some titles to her. She performs a sly smile and doesn’t answer because, like so many other children I meet these days, she knows her avid parents will answer for her. “Oh, she doesn’t read,” her father says. I know what he’s saying, but I play dumb just to see what kind of response I’ll get: “You mean she doesn’t know how to read?” I ask sympathetically. She grins even more deeply, waiting for her parent’s punchline. “No she just doesn’t like to read.”

I get it now. This lass has found a way to rebel against her parents, assert her own identity, appear cool to other kids. Normally, I get to talk up a book enough to inspire someone like her to try it, but I know there’s no way this can happen when hovering but well-meaning parents are there to puppet-master her conversation.

So, I say what I always say whenever the situation calls for it: “Oh, too bad. Mark Twain once said that a person who does not read has no advantage over one who can’t read.”

This is aimed at no-one in particular. The girl gets the joke but continues to play dumb. The parents remain perplexed.

What will no doubt happen—I’ve see it often—is she will discover a spicy novel proffered by a friend and, in secret, read it voraciously, becoming hooked on reading despite herself. She will, in the tradition of all kids, hide this novel and this fact from her parents as long as she possibly can.

The cycle goes on.

And maybe one day she’ll hear an old Jimmy Durante song and get excited all over again

Here’s Jimmy: http://www.youtube.com/watch?v=uLOR8gKwyoo 

jim@jimreedbooks.com

http://www.jimreedbooks.com

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Pipe Dreams of the Bookladen Orphanage

Listen here: http://jimreedbooks.com/mp3/pipedream.mp3 

or read on, dear reader…

An energetic, robust customer bounds through the door of Reed Books. He is lugging a large box filled to the brim with pipes. “Here are some more things from the house,” he pronounces. Then, he hands the load over to me and rushes out the door while I search for a place to situate the box.

“Here’s the last of our stuff,” he announces, as he returns and unloads two large plastic containers of old books. He needs to retrieve the containers in order to haul future troves.

It’s like Christmas every day at the shop. Folks bring large trash bags of paperbacks, rickety wooden boxes filled with attic leftovers, linen-wrapped fragiles from another century, suitcases of old documents and memorabilia, purses packed with formerly-loved treasures, books upon books.

It’s a mistake to dismiss even the worst-looking arrival without first peering within, combing for the kinds of saleable, collectible items that keep the store running. There’s almost always something unique hidden among the gewgaws and doodads and thingamajigs and artifacts and disposables that are presented to me. Even the worst-looking or worthless-seeming items have stories to tell. I feel like a fortune teller or seer, as I explain the source or meaning of each societal leftover.

So, why do I accept today’s gift of a large box filled with smoking pipes? After all, this is a bookstore. Why pipes?

Well, at one time in this bookie world, pipes and tobacco and humidors and clippers and scrapers and cleaners and flexible stems and ashtrays and cigar boxes and humidifiers and smoking jackets were part of the setting in which books were read, collected, enjoyed, catalogued, referenced, displayed, meditated upon.

Today, lots of other accumulatables decorate rooms where books are cherished, replacing the now politically-incorrect smoking paraphernalia. Books are not read in a vacuum; they are enjoyed while the reader surrounds them with a favorite reading chair, a blankie, a snack, a cherished pet, photographs of family and friends, a cuppa java, a music reproduction device lurking nearby or stuck into ear.

The surroundings are part of the literary experience—unless you tend to read while suspended in darkest, starless space.

As I walk the aisles of century-laden books, my memory of each title encompasses everything that was going on while I was reading…when I touch a copy of ANTIC HAY by Aldous Huxley, I can almost smell the unmown grass surrounding me on the lawn of my childhood home as I once lay a-blanket, reading in the shade. I can feel my too-tight tennis shoes making editorial comments about the characters in the book whose shoes always fit correctly, I can sense the impending visit from a neighborhood playmate, I can conscript a bit of clover to use as bookmark, I can see the gaunt face of Huxley on the back cover, I can retrieve this visceral memory years later when I actually meet him at a lecture.

Each book in the big world has equal status in my tiny world. Each is conceived, edited, submitted, argued over, politicked, rewritten, slicked up, dumbed down, smartened up, designed, proofed, printed, even re-printed. Each book is purchased or shop-lifted, partially read or not read at all, re-gifted, torn apart for an art project, ignored in a corner for ages, chewed by the dog, passed on to another reader, thrift-stored or ebayed or donated, treasured in the family archives, burned at the stake.

Each book in the shop is my little orphan, awaiting adoption, nose pressed to the show window, hoping for a kindly reader to take it home where awaits an easy chair, a bookcase, a coffee table, a bit of reading light, nurturing, understanding, tolerance, respect.

Nearby, out of reverence for readers of the past, rest pipe rack, ashtray, wooden matches, and the old familiar fragrance of tobaccos past and pulp papers survived and, just out of camera range, the next reader, rubbing hands together gleefully in anticipation of the joys and sorrows and provocative ideas hiding between covers that shield the pages till just the right moment

(c) 2013 A.D. by Jim Reed

jim@jimreedbooks.com

http://www.jimreedbooks.com

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Those who love are always around

Listen: http://www.jimreedbooks.com/mp3/thosewholove.mp3 or read on…

I can’t seem to rid myself of all the long-ago formerly-living people who have filled my life, fleshed out my life, enriched my life.

You’d think that, once people you know die, you’d be able to put aside your memory of them and get on with meeting new people, having new experiences.

Just doesn’t work that way.

There are many dead folk who continue to influence my life:

Helen Hisey, my 8th grade speech teacher, taught me not to be afraid of speaking my passion in front of audiences. She taught me that it’s OK to slow down and respect the crowd, have faith in their ability to absorb worthwhile information when it is delivered to them with  zeal and humor and love. Helen still guides me, all the way from my starring role in the play Tom Sawyer  (at age 13) to my role as Gabe in the new John Marc Green film Lipidleggin’  (at age 70).  

Sadie Logan, my 2nd grade teacher, brought me up from a very deep and fearful place to a position of importance. She never, ever stopped believing in me and letting me know that I was the most special kid on earth. Fifty years later, I learned that she made virtually every student she’s ever taught feel the same way. We are all the offspring of Sadie Logan.

Jon Charles Palmer and Elmo Riley and Pat Flood were my childhood playmates who just plain accepted me as their friend and never had any reason to harm or dismiss me, no matter how stupid I acted, no matter how far away and out of touch I became. I still hang out with them in memory ever fresh.

Frances Lee McGee Reed, my mother, always laughed at my corny humor, always knew I was special, never let me get away with a lie or an exaggeration or a misdeed, forever believed that I was Number One in her book—even though my brothers and sisters felt the same way. She taught me that the greatest entertainment there is, is people-watching, and I spend most of each public day doing just that, with her invisible presence setting me straight.

James Thomas Reed Jr., my father, taught by quiet example. He was clumsy aloud, but his image as a learned and wise man was powerful without words. He was my earliest example of what a real family man does—earn the living, bring home the pay, sit silently in an easy  chair after supper, reading books great and books seedy and books wise, from Mickey Spillane and Zane Grey and Edgar Rice Burroughs to Eric Hoffer and Harry Truman and Ogden Nash. A most educated man, though never a graduate, he set the example of steadfast tranquility.

Other dead people who look after me:

Pawpaw Burns was my elderly neighbor who showed me that if you really pay close attention to children, you can get through to them by simply noticing, simply respecting them for where they are at the moment. They can always tell.

Adron Herrin and Jack McGee and Brandon McGee and Pat McGee and Annabelle Herrin and Evey Hartley and Effie McGee and Georgia McGee and Gladys McGee and Matty Wooten and John McGee and Dinah Hassell and Elizabeth McGee and many other kinfolk accepted me, warts and all, and treated me with respect and good humor, making me react in horror when anybody tells me they are separated from their kin, cut off from the nurturing care that can come from kindly people who share your blood, if you will only let them.

There are crowds of dead people in my head and in my life and that’s OK.

Even better news: there are scores of living people who have helped me, too, many without even knowing it.

I see living people.

And, because of the wisdoms and comforts and joys left me by the deceased, I am better prepared than most to carefully weed out the unwise and hang only with the people who trust and accept me and make no judgements.

Thanks to those long-ago-passed, I have become a good student of life, and the lives they lived help me manage the bad days well, and enjoy the good days even more

(c) 2012 A.D. by Jim Reed

http://www.jimreedbooks.com

 

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