Singing in the bathtub with Billy Eckstine and John Lee Hooker

Listen to Jim:

http://redclaydiary.com/mp3/thewannabebillyeckstine.mp3

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The Wanna-Be Billy Eckstine Bass-Baritone Life Plan Caper

I’m a barely-teenage superstar belting out my acapella rendition of “That Old Black Magic” in the privacy of the family bathtub, and my audience of none thinks it’s the best thing ever heard on planet earth.

That old black magic has me in its spell.

That old black magic that you weave so well.

Those icy fingers up and down my spine.

The same old witch-craft when your eyes meet mine.

The same old tingle that I feel inside

And then that elevator starts its ride *

The bathtub is private tonight because I have the house to myself for a while—a rarity because two parents and five kids usually live here.

This is back in the early 1950′s in Tuscaloosa, when pre-rock ‘n’ roll singers who make it to the top of their profession know how to enunciate and carry a tune and actually SELL lyrics to the listener. Once you hear the most dynamic of these performers, you are hooked for life.

Anyhow, I’m singing away in the bathtub, hoping against all hope that someday I’ll have a great voice that can belt out “That Old Black Magic” to beat the band, a voice that will make me the most popular kid on the block.

Among the best of the best of all pop singers is Billy Eckstine, whose powerful bass-baritone voice and sense of jazz-disciplined improvisation make him an icon alongside the great male vocalists of the day—Frank Sinatra, Ray Charles, Nat “King” Cole, Mel Torme, Bobby Troup, Tony Bennett, Cab Calloway, Bing Crosby, Big Joe Williams, Harry Belafonte, Louis Armstrong, Sammy Davis Jr., Steve Lawrence, John Lee Hooker, Fred Astaire. These guys are wonderful storytellers and back in these times they all get to be heard on local radio stations. This is long before music appreciation becomes segmented and self-limiting, long before a true Sinatra fan isn’t allowed to appreciate Hooker, long before it is unfashionable to pair Lawrence with Williams, or Satchmo with Mario Lanza.

In my family household, a great singer is a great singer, regardless of genre or age or race or style…so we listen to Hank Williams and George Beverly Shea and Dean Martin and Leonard Warren and Homer and Jethro equally, because we know each has a talent that must be embraced and appreciated.

That’s why I’m anxious to be home alone now and then so I can bellow out songs that bounce off the tiles and echo my temporarily enriched tones. Today, I’m emulating Billy Eckstine, whose incredible range and clarity make me feel I could make any woman within the sound of my voice swoon.

Funny thing about my particular generation is that we not only love our own music, but we love our parents’ and grandparents’ music as well. Our recordings span half a century—waltzes and bebop and scat and honky tonk and opera and polka and Cajun and country and gospel and schmaltz and jazz and blues and satire all combine according to the mood of the moment.

Later, when I become a disc jockey, I get to play all these forms of music, perhaps the last time any disc jockey is accorded this honor. As soon as the mid-1960′s approach, radio stations begin segmenting, specializing, becoming frozen in playlists. But for a while, I get to ply my trade in several worlds:

At a public radio station, I play classical and opera and ballet, along with show tunes, jazz, folk and international sounds from various exotic cultures. At commercial radio stations, I play “mood” music, rock ‘n’ roll, pop, comedy tunes, country gospel, ol’ time religion, barber shop quartets, upper-crust sacred works—you name it, I am exposed to it. Plus, I get to expose my audience to this wondrous variety of talent.

Nowadays, in the nervous present, I find it difficult to explain my taste in music. Hip hop fans know nothing about bluegrass, punk rockers don’t know who Howlin’ Wolf is, opera enthusiasts look at me funny when I mention that John Denver made recordings with Pavarotti. And heaven forfend if I suggest that Dennis Day also sang with Spike Jones.

So, the evergreen memory I hold close is one of pretending that I, like Billy Eckstine and his generation, might actually, for a coupla seconds at a time, sound great.

This love of understandable lyrics carries me into the future and influences what I later do for pleasure. After all that practice emulating male superstar singers and male superstar actors (Richard Burton, Orson Welles, Laurence Olivier, Dick Martin), I grow up knowing how to make clear what I am saying, how to express the meaning behind the words. It serves me in good stead when, now and again, I get to perform in public, teach, act, communicate the love of great books. I have Billy Eckstine and all his buddies to blame.

So, many moons after the Tuscaloosa bathtub performance days, I still sing at the top of my lungs in the shower—but only when no-one is around. After all, the worst thing anyone could tell me is that I may sound more like Don Knotts than Eckstine.

Darling down and down I go,

‘Round and ’round I go,

In a spin, loving the spin I’m in

Under that old black magic called love! *

Denial of unpleasant truths is something I’ve honed to a fine art. It keeps me going forward, keeps me from facing unwanted realities, keeps me performing for my admiring shower stall audience of none

© 2013 A.D. by Jim Reed

( Listen to the man himself: http://www.youtube.com/watch?v=SATmftj-Qbc )

(The above lyrics are verbatim from the original sheet music by Johnny Mercer and Harold Arlen. Lyrics found elsewhere on the internet are inaccurate–and mostly transcribed phonetically.)

jim@jimreedbooks.com

http://www.jimreedbooks.com

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So long, baby sister

ROSI

Listen here: http://jimreedbooks.com/mp3/solongbabysister.mp3  

or read on…

Rose Mari (Rosi) Reed, a native of Tuscaloosa, Alabama, died on June 17, 2012 at the age of 61.  She had resided in Columbia, SC since 1998 and was the daughter of the late James Thomas (Tom) Reed II and Frances Lee McGee Reed of Tuscaloosa.

 Ms. Reed graduated from Northington Elementary School and Tuscaloosa High School, and attended the University of Alabama.  A talented artist and craftsperson, she was a consummate film buff and an active member of the Alabama Wildlife Rescue Center while residing in Alabama.  Rose Mari loved opera, ballet and 60′s rock ‘n roll.  She played clarinet and piano.  Her passions were archaeology, anthropology and helping injured and helpless wildlife.  She was a Girl Scout from elementary through high school.  Rose was baptized at Forest Lake Baptist Church in Tuscaloosa.

Rose Mari’s employers in Alabama were Alford Screen Printing, Warrior Screen Printing and Pier One Imports.  She worked at Sears while attending the University of Alabama. In Birmingham, she was employed by Reed Books/The Museum of Fond Memories.

 

Rose recently said that her favorite place to work in Columbia was Graph-itti T-Shirts, Inc.  She had worked at Graph-itti for six years and planned to retire in 2016 at age 65.  She embroidered sports and business clothing using computerized sewing machines.

 

Rose Mari loved Halloween, Christmas, birthdays and any other excuse to have a party.  She was shy and quiet with strangers. Those who were fortunate enough to know her, met a humble, kind, sensitive and intelligent person.  

She is survived by sister Barbara Jean Reed Partrich, Columbia, SC, and brothers James Thomas (Jim) Reed III, Birmingham, AL; Ronald Lee (Ronny) Reed, Houston, TX; Timothy Ray (Tim) Reed, Chattanooga, TN; eight nieces and nephews and eleven grandnieces and grandnephews in Alabama, Texas, South Carolina and Idaho.

Knowing Rose Mari was worth the effort it took to break through the shyness. When she spoke of subjects and people she loved, her face and voice came alive. She was knowledgeable and-well read, but kept opinions to herself unless asked for. She listened and noticed things most people missed. I loved conversations with Rosi. She has left an irreplacable space in my home and heart.” –Barbara Reed Partrich

 

 

Rose Mari’s family requests that in lieu of flowers, donations may be made

to:

Alabama Wildlife Rescue Center

100 Terrace Drive

Oak Mountain State Park

Pelham, Alabama

         or

www.awrc.org.donate

(c) 2012 A.D. by Barbara Reed Partrich and Jim Reed

http://www.jimreedbooks.com

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PEDAL CAR AFTERNOON

 

Me, in my first car.

Listen here: http://www.jimreedbooks.com/mp3/pedalcarafternoon.mp3 or read on…

The afternoon is blistery hot and the red bugs and flies are having a field
day on my bare ankles and arms. But the heat of the day and the radiant heat
from the metal of my pedal car aren’t noticed at all. That’s because I am
three years old and I have yet to understand that you’re supposed to spend
parts of each day commenting on and whining about bugs and heat and
humidity.

My mind is too clear, too uncluttered, to worry about such stuff.

What my mind is filled with is the sight of the sidewalk that runs from the
front steps of our small asbestos-shingled home to the asphalt pavement in
front of it. My pedal car is aimed toward the avenue, but my gaze is to the
right, toward 15th Street East and across it to the large high-fenced
federal medical and housing complex known as Northington Campus. That’s
where Daddy works all day, maintaining the buildings and sometimes talking
with the German prisoners of war who live there.

I’m waiting for Daddy to limp home from work, just a hundred yards from
here, but oh, so far away, since I am not allowed to leave the front yard
and even if I could, a hundred-yard trek would feel like crossing a damp
Sahara.

The pedal car squeaks as I work it back and forth on the sidewalk, and the
rusty steering wheel is hard to turn. No power steering invented yet. My
attention span snaps for a moment and I look across the avenue at the field
where my neighborhood playmates and I will be playing as we get older.
The golden grass is nearly three feet tall and it waves so gracefully in the
occasional breeze.

A bi-plane buzzes overhead, and I automatically salute it, a ritual drummed up by my sister and me. The patriotic thing to do—right now,during World War Two, while my uncles are overseas fighting—is to recognize the importance of aircraft, using them as a reminder to have fun, but not so much fun as to forget about all those soldiers and sailors and paratroopers and marines and WACS and WAVES and WAFS and Air Corps people and Coast Guarders who might die at any moment so that I can be safely riding my rusty pedal car each afternoon. Somewhere over yonder, my Uncle Buddy McGee is
fighting his way toward Germany. My Uncle Pat McGee is repairing some GI’s
wound, and the husbands and sons of our neighbors are each doing something
to help the war end sooner than never.

A black Model-A Ford automobile, as rusty and hard to steer as my pedal car,
turns off 15th Street onto Eastwood Avenue, my avenue, and pulls up to the
house next door. Pawpaw Burns gets out of the car and stoops under his
enormous tree to pick up a couple of pecans, which he cracks open with
one hand–something I won’t be able to do for a few more years. Pawpaw
regards me while he picks the sweet meat from the bitter shells.

“Whatcha doing, Master Jim?”

I blush, not expecting to be spoken to.

“Nothing,” I reply, and I vigorously pedal the car to show Pawpaw how robust
and strong I am—deserving to be called Master!

“Well, maybe you’ll be doing something later,” he jokes, adding, “It’s never
too late, you know.”

Pawpaw knows more about me than even my own family–I can tell that, because
he’s very old, and very old people are wiser than three-year-old people and
grown-up parents. I am embarrassed that he can read my mind, but I am awed by
his taking notice of me. I will regret many times not being old enough to
sit down with Pawpaw and hear his tales and feel his wisdom, and I will
often try to make amends for that loss by spending time with people older
than me. It’s never too late.

Pawpaw leisurely picks up a few more pecans and goes inside his home to see
what Mawmaw is up to.

I look up the avenue again to see if Daddy has appeared yet. I really am
looking up the avenue—not down—because it slants upward toward the street. I
will use this one-block incline to my advantage as I grow. It will be great
for coasting in a wagon. It will assist me when, on a windy day, I don
roller skates, grab Mother’s old umbrella, and let the wind fill that
umbrella and push me downhill for a block that feels like a mile.

“Clunk,” goes the manhole cover on the street before our house. It makes
that sound every time a car rolls over it, and I will hear that sound mixed
with the lonely mellow sound of a train whistle throughout many days and
nights on Eastwood Avenue.

Even now, in my book loft 55 miles and 60 years away from Eastwood Avenue, I
still hear that train whistle each day. It may even be the same train
whistle, because the engines seem to keep on rolling. It is the same
railroad track, I do know that. I have no way of knowing that in half a
century I will still be living and working by the same tracks that run by
Eastwood, having the same lonesome going-away feeling in my belly that I
have now, sitting here in this rusty pedal car.

I gaze at that field again, anxious to go hiding and adventuring among the
golden weeds. My brand-new baby brother, Ronny, is abed inside the house,
dreaming of warm milk and warm breasts. My older sister, Barbara, is
swirling crayons in her Shirley Temple coloring book, her artistic skills even now
pushing themselves into full view. Barbara’s coloring is full of shadings
and interpretations that kids like me can never achieve. It’s no fun for me,
coloring within the lines, but sister Barbara does it so well, I just know
she’s going to be a famous artist like my Aunt Matty Wooten in West Blocton.

I look at my small palms and marvel at the red dust and sweat that have made
themselves into clay in the folds and wrinkles and under the fingernails. I
wipe them on my short pants so that Barbara or Mother won’t make me wash
them.

Up the street, I see the figure of Daddy, and I scramble out of the pedal
car because it can’t go as fast as I can. My father limps from an old coal
mining accident. He wears khaki pants and a pith helmet, just like Jungle
Jim does in the movie serials. I race up the street and hug his leg, and
maybe this is the day he brings me a hand-made gift from one of the young
German soldiers. It’s a beautiful curved bottle with a painted figure
thereon, and we will keep this small treasure in the family from now on,
never knowing the name of the prisoner artist, but knowing that it is a
special and unearned gift from a stranger in a strange land to a family he
will never meet.

Daddy smells familiar and manly, as daddies usually do. A bit of coal dust
from the summer-dormant furnaces at Northington settles down and shakes its
essence up whenever Daddy and his workers move about. Some sweat—no
air conditioning in the hospital or the barracks. Some hair tonic fragrance,
but mainly the smell of Daddy. He picks me up high and my cheek rubs against
his swarthy, unshaved cheek, and I will forever remember that texture,
because there’s never been another experience like that. I don’t rub cheeks
with adult men, so my encounter with Daddy’s face is a fresh and uncluttered
encounter.

Mother actually starches and presses Daddy’s khaki trousers, so that he
starts each day fresh and tailored. He walks down the avenue with a small
three-year-old dancing around him, and we go inside our cave, smelling
cornbread cooking in a greased iron pan, turnip greens bubbling in their
sliced-egg broth, and freshly-fried chicken waiting for kids to fight over
drumsticks and pulley bone wishes.

The rock is rolled before the entrance of the cave to keep the sabre-toothed
tigers at bay, and our little Stone Age family huddles together to await the
fireflies, the purple-starred night, and the likes of Fibber McGee and Molly
crouching inside our radio set in the living room, getting ready to
entertain us before we leap fresh-toothbrushed into our hand-washed
bedclothes to sleep the only innocent and pure sleeps of our long lives.

Can I, the grizzled old memory-man, return to those days and wrap myself up
in their warm purity, and, once more, feel wanted and loved and cared for
and safe?

As Pawpaw Burns would say, still regarding me closely after all this time,
“It’s never too late.”

(C) 2012 A.D. by Jim Reed

 

jim@jimreedbooks.com

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Nobody Ever Gets Out of the High Chair

Nobody Ever Gets Out of the High Chair
.
To become a bartender or a waiter, you don’t have to have a PhD in psychology or social work, but that doesn’t matter, because your customers think you have a PhD in psychology or social work.
.

In other words, in a bar or a restaurant, people often revert to infantilism and look to the barkeeper or waitress as confessor and adviser.  We DEPEND on these people to make us forget the day’s troubles…we depend upon them to act as substitutes for those long ago folks in our lives who fed us and made us feel secure.

.

Bring back the eateries of my youth!
.
In memory yet green, I can still walk into all kinds of restaurants that used to exist in Tuscaloosa, and I can still get well fed with Food for Thought, even though the restaurant may be long gone and dearly departed.
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In the 1960’s, as a skinny bespectacled radio and TV announcer, I used to take myself and wife to the restaurant beside the Moon Winx Motel and eat an enormous filet mignon with baked potato and goodness knows what else, for under $2.00 on Friday night.  That neon partial-moon still winks at me in my imagination, and I’ve always regretted that I never spent a night there, with that glow leaking around the curtains.
.
In the 1940’s, I used to be hauled by Mother and Sister to H&W Drugs when it was right across the street from the Bama Theatre.  There, we would eat the known universe’s best danged chicken salad sandwiches on toasted light bread cut in two, glugged down with soda fountain Coca-Cola.  I can still taste that wonderful oniony flavor and would give just about anything to have one of those sandwiches right this minute.

.

We used to drive past the Teapot Diner when I was little, but I never got to eat there.  It would have been an exciting thing to do–eat inside a teapot!  Then, to cap it off, what a treat it would have been to spend the night in the Wigwam Motor Court toward Bessemer!  Wonder what kind of food THEY served?

.

Some of the best dining I ever had was while standing on the concrete floor of my grandfather’s store in Peterson, R.L. MCGEE GEN MERCHANDISE, and eating some ice cream washed down by a Grapico, flavored with love and affection from my grandmother Effie and Uncle Brandon and the postmistress, Aunt Gladys.

.

The best loaded cheeseburgers I ever had were from the Soup Store cafeteria in the Student Union Building at the University of Alabama, where I worked as an announcer for the public radio station.  Back in the early sixties, I’d put on a long symphonic work for the listeners, then dash down to the Soup Store, grab a burger and a Coke and some chips, and rush back upstairs, hoping against hope that the LP vinyl recording hadn’t gotten stuck in the meantime.

.

That juicy cheeseburger would be just right, right about now.

.

The best food I could have would be in my parents’ home on Eastwood Avenue long about Sunday evening, when the refrigerator still held cold left-over fried chicken and potato salad and Pepsi Cola.  What would I give to experience that again!

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And so on.

.

What are YOUR memories of great food in great places? Let me hear from you.

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Just remember: it’s not the food, you know. It’s the circumstances.

.

When I was feeling safe in a safe little town with a safe little family in a safe little neighborhood, anything I ate was memorable.  When I was playing Shostakovich on the big turntable and drinking soft drinks and scarfing a cheeseburger on campus, life couldn’t possibly have gotten any better for that moment.  When I was Downtown ready to go see a picture show, eating chicken salad with my mother and sister, I was in safe haven.

.

When I could walk across main street, all the way from my job at WJRD, to S.H. Kress on the other side, and eat a plate lunch for less than a dollar in the 1960’s, I knew life was only going to get better.

.

Back then we could sit at Pasquale’s on University Boulevard and gossip and bloat for hours, we could go to York’s Grocery Store on 15th Street and load up on snacks, we could go across the street from city hall and sit and sip with mayor Hinton and other reporters after City Council meetings…and, even before that, way back in the 1950’s, I could take part of my lunch money at Tuscaloosa High School, purchase one of those heavy, yeasty rolls at the cafeteria, grab a half pint of Perry Creamery’s Pasteurized Homoginized milk, and hang out with the other nerds and geeks I loved: Patricia Gresham, Pat Flood, Jon Charles Palmer, Barbara Casson, Dot Jones, Jerry Hudson, Doug Bleicher, Arthur Voss and so on.  Then, I could take the unspent part of my lunch money across the street after school to Parkview Drugs and spin that rack of paperback books and get something new and exciting to read.

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Every meal is a lasting memory, when you’re young. From my earliest recollection of rubber-nipple-bottled milk and my first birthday cake (all over face and body), to my last meal just a few second agos (crunchy fake tacos and Diet Coke), every meal carries a memory to pull out of the file on a future lonely day, every meal triggers a memory of a wonderful eating experience I had a decade ago or a half century ago.

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If I were back in that wooden high chair right now, on my first birthday, knowing what I know now, I would still stick my face and fingers into that white icing and laugh with delight at the prospect of recalling it some 70 years later

.

(c) 2012 A.D. by Jim Reed

http://www.jimreedbooks.com